Music to Your Ears
By Laura Marrich
50 Years Later, The Grammys Got Good
Although our man Rahim Alhaj didn't pick up Grammy gold for Best Traditional World Music Album, all in all—and I never thought I'd say this—the Grammys were totally entertaining. Awkward and tedious at times, sure, but I challenge any massive award show to shake those fugly bedfellows. I really couldn't ask for more.
A case study in perpetual reinvention
By Simon McCormack
Once unhappily lumped into the genre of dance punk, Los Angeles, Calif., power-trio Liars can now only be described as ever-changing.
Le Chat Lunatique’s Demonic Lovely Gives Dancers and Listeners Cause for Celebration
CD captures the verve, swing and musicality of this “filthy, mangy jazz” quartet
By Mel Minter
The appeal of Le Chat Lunatique’s live performances owes as much to its bandmates patter and seriocomic stage presence as it does to their music—and the music is damn good. They’ve managed to translate that appeal to their new studio CD, Demonic Lovely, without visual or verbal aids. The music and the commitment with which it is played, it turns out, are really what it’s all about, whether you’re on the dance floor or sinking into a sofa.
The Hot Club de Albuquerque
Le Chat Lunatique on work, style, corn and more
By Jessica Cassyle Carr
How long have you existed, and how did you come to be?
Flyer on the Wall
The Breakfast Club
Experience noise in the a.m. at Speakerwaffle, possibly the most damage you can do to your ears and mouth simultaneously. Redbeard (AGL and Dameon Lee of Lowlights), William Fowler Collins, Gun Safe and Olvidese fry up together at The Stove (114 Morningside NE) on Sunday, Feb. 17, from 10 a.m. to 2 p.m. Bring $5 or breakfast to share. (LM)
Omar Sosa Afreecanos · Grand Archives The Grand Archives · Lightspeed Champion Falling Off The Lavender Bridge
On Afreecanos, jazz pianist/composer Omar Sosa’s first studio recording since 2004’s masterwork Mulatos, the musics of Africa and the New World again go swimming together in the sea of his imagination and artistry. Featuring 21 musicians on traditional African and modern instruments, Afreecanos is more orchestrated and more rhythm-centric than Mulatos (fragments of which appear fleetingly on every track in Sosa’s piano improvs) but it continues the same fabulously successful experiment. Though not as consistent as its predecessor, Afreecanos does offer several tracks that equal or surpass anything on Mulatos, including “Nene La Kanou,” “Ollú” and the elegiac “Why Anga?” (MM)
Vaudeville Open Mic
By Devin D. O'Leary
Cabaret Audacity presents a Vaudeville Open Mic at Sidewinders Bar Cabaret Theater. This brand new monthly showcase will take place every third Wednesday of 2017. Dancers, singers, comedians, musicians, performance artists, jugglers, magicians, sideshow acts, burlesque performers and more are invited to hone their talents and debut brand new material on stage at VOM. Shows are hosted by Julian Addams-Wolf and other members of Cabaret Audacity, including Eddi Fication and Arcane. A suggested donation of $5 gets you in the door beginning at 7:30pm. This is a 21+ event.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in New Mexico. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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Vaudeville Open Mic at Sidewinders
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