Music to Your Ears
By Laura Marrich
50 Years Later, The Grammys Got Good
Although our man Rahim Alhaj didn't pick up Grammy gold for Best Traditional World Music Album, all in all—and I never thought I'd say this—the Grammys were totally entertaining. Awkward and tedious at times, sure, but I challenge any massive award show to shake those fugly bedfellows. I really couldn't ask for more.
A case study in perpetual reinvention
By Simon McCormack
Once unhappily lumped into the genre of dance punk, Los Angeles, Calif., power-trio Liars can now only be described as ever-changing.
Le Chat Lunatique’s Demonic Lovely Gives Dancers and Listeners Cause for Celebration
CD captures the verve, swing and musicality of this “filthy, mangy jazz” quartet
By Mel Minter
The appeal of Le Chat Lunatique’s live performances owes as much to its bandmates patter and seriocomic stage presence as it does to their music—and the music is damn good. They’ve managed to translate that appeal to their new studio CD, Demonic Lovely, without visual or verbal aids. The music and the commitment with which it is played, it turns out, are really what it’s all about, whether you’re on the dance floor or sinking into a sofa.
The Hot Club de Albuquerque
Le Chat Lunatique on work, style, corn and more
By Jessica Cassyle Carr
How long have you existed, and how did you come to be?
Flyer on the Wall
The Breakfast Club
Experience noise in the a.m. at Speakerwaffle, possibly the most damage you can do to your ears and mouth simultaneously. Redbeard (AGL and Dameon Lee of Lowlights), William Fowler Collins, Gun Safe and Olvidese fry up together at The Stove (114 Morningside NE) on Sunday, Feb. 17, from 10 a.m. to 2 p.m. Bring $5 or breakfast to share. (LM)
Omar Sosa Afreecanos · Grand Archives The Grand Archives · Lightspeed Champion Falling Off The Lavender Bridge
On Afreecanos, jazz pianist/composer Omar Sosa’s first studio recording since 2004’s masterwork Mulatos, the musics of Africa and the New World again go swimming together in the sea of his imagination and artistry. Featuring 21 musicians on traditional African and modern instruments, Afreecanos is more orchestrated and more rhythm-centric than Mulatos (fragments of which appear fleetingly on every track in Sosa’s piano improvs) but it continues the same fabulously successful experiment. Though not as consistent as its predecessor, Afreecanos does offer several tracks that equal or surpass anything on Mulatos, including “Nene La Kanou,” “Ollú” and the elegiac “Why Anga?” (MM)
Blink-182 • pop punk • A Day to Remember • hardcore • All Time Low • rock, emo
By August March
Blink-182 plays a type of popular music called pop-punk. And although British rock critic Steven Wells of NME dismissed them at the beginning of the century as “indistinguishable from the increasingly tedious 'teenage dirtbag' genre they helped spawn,” the band has had some notable influence…
Alan Jackson • country
By Joshua Lee
As Ludwig von Beethoven once said, “Music is the mediator between the spiritual and the sensual life.” Those words still carry weight, even now: a thousand years later. And you'll find no better example than the incomparable Alan Jackson, whose voice and countenance rival those of the gods, as though he were hewn from the heart of the sun itself. His honky tonk tunes—swords of righteous terror and beauty which melt the the eardrums of devotees, lost in reverie as they bathe in the glorious golden ambiance of his mustache. He'll be playing live at the Sandia Resort & Casino on Friday, Sept. 30. Take a gander.
Chrome Sparks • electronic, indie pop
By Joshua Lee
So Chrome Sparks apparently has a few hours open in his schedule to visit ABQ—somewhere in between juggling his gajillion other projects and fulfilling his role as busiest spacey electro-pop composer on the planet. New Mexico seems like the perfect place for those wide-open, expansive tunes of his. Maybe someone can talk him into posting up in the middle of the desert next time. Sound carries further at night and can have a a really spooky resonance. Just saying. This Friday, Sept. 30, he'll be wowwing the pants off of us at Sister Bar (which is indoors, unfortunately) starting at 9pm. Wear your clean undies.
Miike Snow • indie, electro-pop
By Monica Schmitt
"I change shapes just to hide in this place, but I'm sure not going to hide from this concert." Ladies and gents, I am happy to report that Miike Snow, the Swedish electro-pop band of your dreams, will be performing at our very own Historic El Rey Theater. Imagine Alt-J and Dan Black created a musically inclined love child. The result would be something like Miike Snow. If that's too foreign an analogy, you'll just have to listen for yourself at 7pm on Monday, Oct. 3. Tickets are just $25-$40 but sorry kids, only ages 21+ for this one.
Andrew Jackson Jihad • folk-punk • Diners • surf, indie rock • Kepi Ghoulie • punk folk
By Peter Karlsen
Once upon a time, back in 2004, in the distant land of Arizona, there was born a folk-punk band by the name of Andrew Jackson Jihad. It was a mouthful, so they decided to go by the acronym AJJ. Then they decided to formally change their name to that. Soon they'll be at the Launchpad. People in this town like to shit on the folk-punkers, but fuck those jerks. I already bought a ticket to this Launchpad show and I bet I'll be buying band merch, too, at this kick-ass show starting at 8pm on Oct. 5.
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YG • rap, hip-hop • Rj • electronic, indie • Kamaiyah • Sad Boy at Historic El Rey Theater
Mike Brown • R&B at Mine Shaft Tavern
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