Jessica Cassyle Carr
The Saloon That Rock Built
Many bands' first steps were across the threshold of the Golden West
By Marisa Demarco
U.K. oi! band The Business takes the stage. Young testosterone-riddled skinheads start slam dancing, but the Party Vikings, a local gang of rowdy punk rockers, have named themselves the kings of the pit. It isn't too long before a full-scale riot breaks loose, remembers Gordy Andersen, Black Maria singer and Albuquerque rock stalwart. Punks throw pool balls down from the Golden West's balcony. Tables and chairs cartwheel through the air and are smashed into sticks. And The Business just keeps playing.
Friends Forever and Foot Village
Drum kit metal, bikinis and fireworks
By Simon McCormack
At a certain point, it might be better to just stop asking Josh Taylor questions.
Jazz is Just the Beginning
Anat Cohen, award-winning clarinetist/saxophonist, brings her quartet to the Outpost
By Mel Minter
When she was busy mastering American jazz on her tenor saxophone, Anat Cohen gave little thought to the clarinet collecting dust in her closet, or to other genres of music. But she now moves effortlessly between both instruments and among a variety of musical styles.
Flyer on the Wall
Sera Cahoone Only as the Day is Long · Julie Hardy The Wish · Erykah Badu New Amerykah
Sera Cahoone isn't writing a new chapter in the story of alt.country, but she's adding a few colorful pages to the book. The former drummer in indie faves Carissa's Weird and Band of Horses tries her hand at singer/songwriting and makes a couple handfuls of quiet, cloudy melodies that pour on the pity. Save for a pinch of pedal steel and banjo, the bulk of the backup to Cahoone's weightless vocals comes from plodding acoustic guitar—the album suffers slightly from a dragging tempo. Perhaps overly simplistic, but never offensive, Only as the Day is Long is a carefully constructed LP with a lot of promise. (SM)
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Hozier • blues, indie, soul at Sandia Resort & Casino
Kirra (OK) • rock • Bella Amore • Drink Me • Modus Operandi • Swylt at Duke City Sound StageMore Recommended Events ››