Alibi V.17 No.15 • April 10-16, 2008 ››
Music to Your Ears
A Mic for Every Mouth
In an ideal world, open mics would be as individual as the people who sign up to play them. Albuquerque's not too far off. This city's already friendly to musicians trying to get a foothold in public (some argue too friendly, but that's another column). The past few months in particular have seen a new crop of open mics—specialized ones created with a specific type of performer in mind. Here's a rundown of some of the most promising. That is, if you:
Moby Last Night
· Ministry and Co-Conspirators Cover Up
· Elf Power In a Cave
Nine studio albums deep, Moby returns in full electronic force and points it toward a dance record. On Last Night, Moby stays off the vocals and allows artists like Grandmaster Caz to fill the track with rhymes, turning out an album that's rhythmic and groovy, and hints at a world of clubs and drugs. At times, Moby's sample layering blankets tracks with dissonance; but for the most part the cohesion of breaks and odd harmonies allow Last Night to linger pleasantly. (JH)
On the Scene
All-ages music and arts space is a year old and still DIY
Two brothers, Thomas Haag and Forrest Haag, and lifelong friend Naython Vane fired up Stove for the first time on April 20, 2007.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?