Music to Your Ears
By Laura Marrich
A Mic for Every Mouth
In an ideal world, open mics would be as individual as the people who sign up to play them. Albuquerque's not too far off. This city's already friendly to musicians trying to get a foothold in public (some argue too friendly, but that's another column). The past few months in particular have seen a new crop of open mics—specialized ones created with a specific type of performer in mind. Here's a rundown of some of the most promising. That is, if you:
The rock that never dies
By Simon McCormack
By the time Megadeth bassist James Lomenzo joined the band’s lineup in 2006, he’d built a 30-year career of rock with artists like David Lee Roth and bands like White Lion and Black Label Society. “I’ve played with pretty much everybody, so there’s not much that’s gonna scare me,” Lomenzo asserts.
Flyer on the Wall
Calling All Females
Our Place II (9401 Coors NW, 890-6890) invites the ladies to rock on the Westside with Black Tooth Grin, Mechanism of Eve, Random Order and Scarless this Thursday, April 10. Ladies free, gents $3. (LM)
Moby Last Night · Ministry and Co-Conspirators Cover Up · Elf Power In a Cave
Nine studio albums deep, Moby returns in full electronic force and points it toward a dance record. On Last Night, Moby stays off the vocals and allows artists like Grandmaster Caz to fill the track with rhymes, turning out an album that's rhythmic and groovy, and hints at a world of clubs and drugs. At times, Moby's sample layering blankets tracks with dissonance; but for the most part the cohesion of breaks and odd harmonies allow Last Night to linger pleasantly. (JH)
On the Scene
All-ages music and arts space is a year old and still DIY
By Justin Hood
Two brothers, Thomas Haag and Forrest Haag, and lifelong friend Naython Vane fired up Stove for the first time on April 20, 2007.
T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda
By August March
Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
Kurt Travis • alternative rock • Eidola • Amarrionette
By Megan Reneau
I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk
By August March
I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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