Music to Your Ears
By Laura Marrich
Launchpad Sets a Date!
... Sort of. The gospel according to Joe Anderson is the Launchpad will re-open in July, but he seemed hesitant (understandably) to make anything official at press time. A cursory glance at Anderson's website lists a Launchpad concert by Rooney, Locksley and The Bridges scheduled for Monday, July 7—but that's still as good as speculation at this point. If the show proceeds as planned, it'll be the first time the Launchpad's opened its doors to the public since the Golden West fire shut the venue down on Feb. 28 of this year. Until then, keep your eyes here, on RockSquawk.com and on alibi.com for the first word on the Launchpad's relaunch. You know we're good for it.
Hit By A Bus CD Release
The little engine that could
By Simon McCormack
Hit By A Bus has been in existence, with one lineup or another, since 1998. That's a lifetime in a local scene where projects dissolve and new ones form every few months.
Flyer on the Wall
Frisbee ReDISCOVERY · Mates of State Re-Arrange Us · N.E.R.D. Seeing Sounds
There just isn’t enough meat on the bones of this debut LP, though singer-songwriter Frisbee (first name: Aaron) has his heart in the right place. Nothing seems disingenuous about the piano, guitar and analog synthesizer-based love songs. The lyrics have an understated charm and don’t come across as preachy or uppity. But there’s a tendency to find a mini-groove and just sit there for what feels like days. The instrumentation doesn’t carry enough oomph, and when it’s just Frisbee and the faint sound of piano keys, the texture is hollow and small. Frisbee speaks like an adult, but his songs lack maturity. (SM)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts Center
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