Alibi V.17 No.26 • June 26-July 2, 2008 
A peak inside Warehouse 21 under construction

Music to Your Ears

Vanilla Pop Quiz

As of press time, Martini Grille has been handed 22 liquor-law violation citations, and its future as a bar is looking pretty shaky. (Remember, it only takes three strikes to get your license suspended.) But even with that uncertain haze hanging around the East Nob Hill venue, one thing's crystal: Vanilla Pop has left the building.

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A peak inside Warehouse 21 under construction
COURTESY OF WAREHOUSE 21

Spotlight

Warehouse 21 Re-Opening

It’s come back for your children!

It took 18 months of waiting. Eighteen months of fundraising, volunteering and wondering when it would all be over. But Warehouse 21 is back, and it's itching to crank up the volume. “It took a lot of endurance,” says Warehouse 21 Executive Director Ana Gallegos y Reinhardt. “But we did it, and we survived.”

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[click to enlarge]

Flyer on the Wall

Finnegan’s Wake

Resurrect your ass with whiskey, women and song—by The Foxx, Volume Volume and Ghostkimo—this Saturday, June 28, at Burt’s Tiki Lounge (21+, free). (LM)

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Sonic Reducer

The Fratellis Here We Stand · Judas Priest Nostradamus · Wolf Parade At Mount Zoomer

The Fratellis takes guitar rock that’s better after a few pints and makes you drink ’til you puke. The glammy, peach-fuzz guitars and loudmouth vocals set the table for a good time. But the mid-tempo never speeds up or puts on the brakes, and it begins to sound as though The Fratellis gave itself 11 chances to make a radio single. Each attempt sounds eerily similar to the last. On second thought, you can probably find a better record to get drunk to. (SM)

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Courtesy of the Artist

EVENT HORIZON ()

Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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