Music to Your Ears
By Laura Marrich
On the Numbers
There's not a lot of cross-pollination between Santa Fe and Albuquerque bands, even though we each have scenes that are uniquely our own and in fairly close proximity to each other (40 minutes' drive ain’t much). You don't often see Santa Feans playing in Albuquerque, and even less Burqueños make it out to Santa Fe. (One possible explanation: Santa Fe venues book one band for two- and three-hour sets, and the long gigs pay well. In Albuquerque, we cram three or four bands into a few hours, which cuts into each band's profit. Not many Albuquerque bands have a three-hour set list in their back pocket. Not many Santa Fe bands will drive all the way down here for a $50 gig.) That has to change. But that's just the bands. What's preventing everyone else, the casual listeners, from engaging in the other city's scene?
Starving Artists Tour ’08
On the road because they have to
By Justin Hood
Imagine being a rap artist and having the privilege to contact your inspirations and all-time hip-hop heroes for a show in your hometown. Hats off to the Internet and networks like MySpace for allowing independent artists to wander the pastures of music in search of building international connections with each other.
One day at a time
By Simon McCormack
In many ways, Ours has made it.
The band is signed to Columbia Records. Its latest album, Mercy (Dancing for the Death of an Imaginary Enemy), was produced by Grammy-winning producer and Columbia co-head Rick Rubin. And the group’s members feel like they’re making the best music of their lives. So why isn’t Ours acting like a band at the top?
Flyer on the Wall
Don't be Scurrred
Five Minute Sin, Left Brain (in an all-instrumental set), Mad Kings and Poor Man's Ferrari won't bite you ... hard. This Saturday, July 5, at Ralli's Fourth Street Pub and Grill (21+). Ladies free, $3 gents. (LM)
G. Love & Special Sauce Superhero Brother · Amos Lee Last Days At the Lodge · King Khan And The Shrines The Supreme Genius of King Khan And The Shrines
When G. Love tells you to “wiggle like a worm,” you might turn toward your stereo with a condescending glare. But then you’ll probably start wiggling. The tight snare, wailing harmonica, crisp guitar and a dash of piano are tough to resist. It’s especially difficult when the gorge-deep grooves break down the door of your subconscious. G. Love isn’t as cool as his obvious blues influences like John Lee Hooker and Muddy Waters, but who the hell is? Besides, it’s not out to revolutionize music: G. Love & Special Sauce just wants to give you something to dance to. (SM)
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Hundredth • melodic hardcore at Blu Phoenix Venue
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