Music to Your Ears
By Laura Marrich
Swap Rock and Roll
If you've ever been in a band, chances are you've got 900 pressings of your first album stashed away in someone's closet. That was the finding on a recent RockSquawk thread, anyway. Almost all of our self-produced collections are collecting dust in inaccessible armpits of the city. Meanwhile, just as many of us would love to comb through someone else's pile. ( ... The wax is always blacker on the other side.) So, what would happen if we all unearthed our ancient jewel cases, cassettes and vinyl and traded them for stuff we actually want to hear?
What it took to get the Launchpad back on its feet
By Marisa Demarco
It was anything but a vacation, says Joe Anderson, operator of the Launchpad. "There were people that were making remarks like, Yeah, well, at least you'll have some time off," he says. Launchpad had its doors shut from the time of the neighboring Golden West's fire on Feb. 28 until happy hour on July 1. During those four months, he and some of his coworkers were working 10 times harder than usual, Anderson says, moving already-booked shows to other venues and overseeing renovations to the space.
Not Just “Some Joe Schmo Bar"
Employees welcome back the Launchpad
By Simon McCormack
When the Launchpad went out of commission more than four months ago, talent buyer Luis Mota had to scramble to reschedule shows.
Letters from New Orleans
By Mel Minter
New Orleans pianist Tom McDermott has to rank among the most fluid, inventive and technically robust pianists radiating the 88s today in the traditional syncopated musics of the Americas—from ragtime to choro to tango, from Jelly Roll Morton to James Booker—and he’s a beguiling composer besides. The eloquently understated Connie Jones may be the Crescent City’s most respected cornetist. Neither man knows how to play a false note. They combine beautifully on this collection of reinvigorated standards (“Tishomingo Blues”), McDermott originals (including the lovely solo piano reverie “Song of Bernadotte”), jazz from Freddy Chopin (title track) and more. Meanwhile, Parnassus Records has had the good sense to reissue McDermott’s 1996 solo effort, All the Keys & Then Some. This collection of 24 piano miniatures (one in each key) plus 14 portraits of friends for piano and synthesizer—by turns prankish, tender, audacious, bemused—showcases an adventurous and delightfully eccentric musical imagination.
Third World Love New Blues · CSS Donkey · Sigur RÛs Med Sud I Eyrum Vid Spilum Endalaust
The second U.S. release from this fine quartet—Avishai Cohen (trumpet/flügelhorn), Yonatan Avishai (piano), Omer Avital (bass) and Daniel Freedman (drums)—continues its collective exploration of various musical strains (funk, Mizrahi, flamenco, samba, Afro-Cuban) in a jazz embrace. They all contribute compositions (with one Ellington track), making straight-ahead, uncluttered, emotional music that grooves. It’s definitely an egalitarian affair, but Cohen’s warmth and expressiveness and his arresting improvisational acumen make him the first among peers. His unassuming composition “Gigi et Amelie” is the disc’s most beautiful, closely followed by Avishai’s bluesy “Beauty of Death” and the sweet Middle Eastern ache of Avital’s jazz waltz “Homeland.” (MM)
Flyer on the Wall
If You Can't Stand the Heat, Get Down in the Kitchen
Danksgiving 2015 • Mondo Vibrations • Dre Z • Pocket Full Of Dub
By Maggie Grimason
Work up some post-Thanksgiving munchies or dance off your food guilt this week at Danksgiving 2015. Captaining the musically mind-expanding adventure will be the blazing reggae-rock of Mondo Vibrations. The talented pack of Burquenos is well-known in the downtown circuit of music venues and consists of Kenny Cernius (vocals/guitar), Shea Longi (bass), Kevin Sanchez (drums), James Sanchez (percussion), Mike Gerdes (guitar/synths) and Rick “Smirie” Gonzales (vocals/guitar/keys/melodica). Also on deck for the night will be the chill melodies of Dre Z, the stylings of Burque Sol and Pocket Full of Dub, to boot. Take your Friday night to a higher level for just $5 at Launchpad, where things will get lit at 9pm.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins for a gig at The Co-Op on Tuesday, Dec. 1. The project of Michael Orlando, VE! are proponents of a sick sound that craftily combines aspects of goth, industrial and horror punk into a smotheringly propulsive sonic experience that can be freaky and frightening or acutely alluring depending on the internal chemical composition of each of their millions of stunned listeners. Check out the video for “Drug of Choice” for further evidence of the outfit's crepuscular commitments. Arizona electro-popsters Consider Me Dead and “post-sci-fi hardcore” trio Set To Stun (from El Lay of course) open. This all ages show at an alcohol- and drug-free venue costs $13 and begins at 6pm.
Ghastly • Dr. Fresch • Nightowls • Aaron Jackson at El Rey Theater
Eryn Bent • indie, folk at Tractor Brewing Company
Leftover Soul • vinyl soul dance party at SisterMore Recommended Events ››