Music to Your Ears
By Laura Marrich
Swap Rock and Roll
If you've ever been in a band, chances are you've got 900 pressings of your first album stashed away in someone's closet. That was the finding on a recent RockSquawk thread, anyway. Almost all of our self-produced collections are collecting dust in inaccessible armpits of the city. Meanwhile, just as many of us would love to comb through someone else's pile. ( ... The wax is always blacker on the other side.) So, what would happen if we all unearthed our ancient jewel cases, cassettes and vinyl and traded them for stuff we actually want to hear?
What it took to get the Launchpad back on its feet
By Marisa Demarco
It was anything but a vacation, says Joe Anderson, operator of the Launchpad. "There were people that were making remarks like, Yeah, well, at least you'll have some time off," he says. Launchpad had its doors shut from the time of the neighboring Golden West's fire on Feb. 28 until happy hour on July 1. During those four months, he and some of his coworkers were working 10 times harder than usual, Anderson says, moving already-booked shows to other venues and overseeing renovations to the space.
Not Just “Some Joe Schmo Bar"
Employees welcome back the Launchpad
By Simon McCormack
When the Launchpad went out of commission more than four months ago, talent buyer Luis Mota had to scramble to reschedule shows.
Letters from New Orleans
By Mel Minter
New Orleans pianist Tom McDermott has to rank among the most fluid, inventive and technically robust pianists radiating the 88s today in the traditional syncopated musics of the Americas—from ragtime to choro to tango, from Jelly Roll Morton to James Booker—and he’s a beguiling composer besides. The eloquently understated Connie Jones may be the Crescent City’s most respected cornetist. Neither man knows how to play a false note. They combine beautifully on this collection of reinvigorated standards (“Tishomingo Blues”), McDermott originals (including the lovely solo piano reverie “Song of Bernadotte”), jazz from Freddy Chopin (title track) and more. Meanwhile, Parnassus Records has had the good sense to reissue McDermott’s 1996 solo effort, All the Keys & Then Some. This collection of 24 piano miniatures (one in each key) plus 14 portraits of friends for piano and synthesizer—by turns prankish, tender, audacious, bemused—showcases an adventurous and delightfully eccentric musical imagination.
Third World Love New Blues · CSS Donkey · Sigur RÛs Med Sud I Eyrum Vid Spilum Endalaust
The second U.S. release from this fine quartet—Avishai Cohen (trumpet/flügelhorn), Yonatan Avishai (piano), Omer Avital (bass) and Daniel Freedman (drums)—continues its collective exploration of various musical strains (funk, Mizrahi, flamenco, samba, Afro-Cuban) in a jazz embrace. They all contribute compositions (with one Ellington track), making straight-ahead, uncluttered, emotional music that grooves. It’s definitely an egalitarian affair, but Cohen’s warmth and expressiveness and his arresting improvisational acumen make him the first among peers. His unassuming composition “Gigi et Amelie” is the disc’s most beautiful, closely followed by Avishai’s bluesy “Beauty of Death” and the sweet Middle Eastern ache of Avital’s jazz waltz “Homeland.” (MM)
Flyer on the Wall
If You Can't Stand the Heat, Get Down in the Kitchen
courtesy of the band
Russian Girlfriends • rock, punk • Leeches of Lore • stoner rock, psychedelic • Hanta • stoner rock • The Talking Hours
By August March
Russian Girlfriends, a popular local pop-punk outfit that lovingly and somewhat esoterically takes their musical cues from progenitors of the genre like Descendents and Hüsker Dü—while adding the desert nuance and mystery of New Mexico to their quite awesome sound—are preparing to tour the Southern lands as a precursor to their new mission to conquer the US…
Boyz II Men • R&B
By August March
On Sunday, Feb. 14, the Legends Theater at Route 66 Casino presents a concert by romantic balladeers and masters of a capella ruminations on love and life, Boyz II Men. An R&B group (now a trio, formerly and originally a quartet) with an affinity for soulful musical wanderings through the heart of human affection, Boyz II Men first made the scene in the 1990s with radio-friendly hits like “End of the Road,” “I’ll Make Love to You” and “One Sweet Day,” an epic tune to forever love they recorded with super-chanteuse Mariah Carey. In the years since they rose to the top of the pops, one member, Michael McCary departed the ensemble, leaving an essential trio comprised of tenors Shawn Stockman and Wanya Morris as well as baritone Nathan Morris. Together, these three still bring the flavor of love to life as they tour around a gratefully enchanted planet of men and women. Tickets for this all-ages performance range in price from $35-$70 while romance fills the air beginning at 8pm.
Terra Plena • Latin jazz, salsa at The Cooperage
Earth Groans • metalcore, heavy, deathcore at Duke City Sound StageMore Recommended Events ››