Alibi V.17 No.28 • July 10-16, 2008 

Music to Your Ears

Swap Rock and Roll

If you've ever been in a band, chances are you've got 900 pressings of your first album stashed away in someone's closet. That was the finding on a recent RockSquawk thread, anyway. Almost all of our self-produced collections are collecting dust in inaccessible armpits of the city. Meanwhile, just as many of us would love to comb through someone else's pile. ( ... The wax is always blacker on the other side.) So, what would happen if we all unearthed our ancient jewel cases, cassettes and vinyl and traded them for stuff we actually want to hear?

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“Sunday I don't have a show, so I might sleep in. That's what I have planned in the future.” —Joe Anderson
Tina Larkin

Music News

Damage Control

What it took to get the Launchpad back on its feet

It was anything but a vacation, says Joe Anderson, operator of the Launchpad. "There were people that were making remarks like, Yeah, well, at least you'll have some time off," he says. Launchpad had its doors shut from the time of the neighboring Golden West's fire on Feb. 28 until happy hour on July 1. During those four months, he and some of his coworkers were working 10 times harder than usual, Anderson says, moving already-booked shows to other venues and overseeing renovations to the space.

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The Launchpad opens for its first official concert on Monday, July 7.
Tina Larkin

Spotlight

Not Just “Some Joe Schmo Bar"

Employees welcome back the Launchpad

When the Launchpad went out of commission more than four months ago, talent buyer Luis Mota had to scramble to reschedule shows.

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Jazzed Reducer

Letters from New Orleans

New Orleans pianist Tom McDermott has to rank among the most fluid, inventive and technically robust pianists radiating the 88s today in the traditional syncopated musics of the Americas—from ragtime to choro to tango, from Jelly Roll Morton to James Booker—and he’s a beguiling composer besides. The eloquently understated Connie Jones may be the Crescent City’s most respected cornetist. Neither man knows how to play a false note. They combine beautifully on this collection of reinvigorated standards (“Tishomingo Blues”), McDermott originals (including the lovely solo piano reverie “Song of Bernadotte”), jazz from Freddy Chopin (title track) and more. Meanwhile, Parnassus Records has had the good sense to reissue McDermott’s 1996 solo effort, All the Keys & Then Some. This collection of 24 piano miniatures (one in each key) plus 14 portraits of friends for piano and synthesizer—by turns prankish, tender, audacious, bemused—showcases an adventurous and delightfully eccentric musical imagination.

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Sonic Reducer

Third World Love New Blues · CSS Donkey · Sigur RÛs Med Sud I Eyrum Vid Spilum Endalaust

The second U.S. release from this fine quartet—Avishai Cohen (trumpet/flügelhorn), Yonatan Avishai (piano), Omer Avital (bass) and Daniel Freedman (drums)—continues its collective exploration of various musical strains (funk, Mizrahi, flamenco, samba, Afro-Cuban) in a jazz embrace. They all contribute compositions (with one Ellington track), making straight-ahead, uncluttered, emotional music that grooves. It’s definitely an egalitarian affair, but Cohen’s warmth and expressiveness and his arresting improvisational acumen make him the first among peers. His unassuming composition “Gigi et Amelie” is the disc’s most beautiful, closely followed by Avishai’s bluesy “Beauty of Death” and the sweet Middle Eastern ache of Avital’s jazz waltz “Homeland.” (MM)

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Flyer on the Wall

If You Can't Stand the Heat, Get Down in the Kitchen

The Architects of Rhythm (DJ Eldon and Justin Roberts) cook up a mess of soulful sounds every blessed Sunday from 7 to 10 p.m. at Nob Hill Bar and Grill (3128 Central SE). Free, 21+. (LM)

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EVENT HORIZON ()

A Positive

Love Bites • Vampire Ball • goth, electro, industrial, '80s

If putting on something dressy and all black is your forte, boy do we have an event for you. Effex's vampire's ball entitled Love Bites commences at 9pm this Thursday, Feb. 22. All those over 21 should prepare for a gory good time for just $2! Enter a raffle for $1 to sink your claws into a set of Kustom Fitted Fangs, Vampyre Tea Company's organic tea and more. Accompany fellow vampires and goths for a night of '80s electro and EDM music. Show off your best tripp pants and other dark wave looks in a costume contest to win bloody good prizes, attract eager victims and dance the night away—but not too late because you may turn into dust.  
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courtesy of Prism Bitch

EVENT HORIZON ()

But I Like It

Prism Bitch • punk • Shitty and the Terribles • garage • Gerunding

Let's be clear: the premier psych-y, slithery rocanrol event of February takes place at (where else) the Launchpad on Friday, Feb. 23. That's when local, sultry sound stars and de facto leaders of the soulful garage rock unit of this city's scene, Prism Bitch take the stage to blind 21+ locals with sonic and spectral divination from the mouths of prison-bound purveyors followed by no-wave Shitty and the Terribles complete with Nueva York style aggression and power chords. Whatever, it's $7 and they totally rock. And psych-pop pronunciators Gerunding (everything they sing ends in -ing, one hopes) open up this super psychedelic can of worms that are actually magic mushrooms that are actually … oh my gawd, you better go and see for yourself at 9pm.
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EVENT HORIZON ()

Great EXXXpectations

The Open Bra • Mayo Lua de Frenchie • Miss Behavin • Burlesque improv competition • DJ CS Rucker • dance, house

Work up your courage or down a few beers this Saturday, Feb. 24 at Duel Brewing and take the stage for the The Open Bra, a bi-monthly burlesque improv competition. Performers are assigned a song at the beginning of the evening, and then hit the stage to enchant the audience and judges Miss Behavin, Mayo Lua de Frenchie and Annie O'Roar. And hey, if you're too nervous to take a turn dancing, you still get to weigh in on runner-up and winner slots as a member of the kowtowing crowd. This free, 21+ doors at 8pm and the event begins at 9pm. Plan on staying late for a dance party afterwards.
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