Alibi Bucks

 Jul 17 - 23, 2008 

Music to Your Ears

By Laura Marrich

Poster Child

Riffing on this week's New Mexico Jazz Festival kick-off (see "Spotlight"), Santa Fe's Vintage Poster Gallery (901 Canyon, 505-577-7419) is mounting the largest exhibition of vintage Polish jazz concert posters in North America. The collection starts in the underground ’50s (jazz was condemned under Stalinist communism) and winds up through the European festivals of the ’90s; just about all of the posters are surreally eye-popping. The exhibition runs through Aug. 15 and opens with a reception this Saturday, July 19, from 2 to 5 p.m. Bert Dalton will perform, courtesy of Friends of Santa Fe Jazz. Regular gallery hours are noon to 5 p.m., Tuesday through Sunday. You can preview posters from the exhibition at; or add your own concert art to the Alibi Flyer on the Web database at

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Allen Toussaint
Lee Crum


Allen Toussaint: In a Grooving Way

New Orleans legend crowns the first week of the 2008 New Mexico Jazz Festival

By Mel Minter

When asked who wrote vocalist Irma Thomas’ 1963 hit “Ruler of My Heart,” later covered by Otis Redding and The Rolling Stones as “Pain in My Heart,” Thomas’ bassist answered, “You can’t turn a corner in New Orleans without bumping into Allen Toussaint.”

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New Mexico Jazz Festival Schedule, Week One

The third annual New Mexico Jazz Festival runs from July 17 through July 28.

Thursday, July 17

Outpost Performance Space, 7:30 p.m.

Friday, July 18

Pharoah Sanders Quintet
The Lensic, 7:30 p.m.

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Zoltán Székely

CD Release

Who is Zoltán Székely?

The self-proclaimed mad Hungarian opens up ... a little

By Marisa Demarco

You may have seen him walking down Central, head down, guitar on his back, handlebar mustache and long, blackened fingernails. He's not much of a talker, though he's liable to take off his shirt on stage, revealing a thick mat of curly black chest hair. Swirling around in the local Mythos of Zoltán is the fact that he was banned from the Golden West for getting naked. "I've been known to showcase my hairy body parts and such at other shows," he says.

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Flyer on the Wall

Post Script

The Cell Theatre (700 First Street NW) opens up Sunday, July 20, for an all-ages wall-banger with Hit By A Bus, The Material, Zagadka and Amicus. Doors open at 7 p.m. $7 gets you in. (LM)

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Sonic Reducer

Unit 7 Drain LoveCraft · Fast Heart Mart Cheap & Sunny · The Dirty Hearts Pigs

Albuquerque’s new wave, post-punk fivesome Unit 7 Drain keeps catching lightning in a bottle. The band can do a catchy tune and give it a hint of dark bravado like no one else in the Duke City, but where LoveCraft is most pleasantly surprising is in its instrumental space-outs. The synths creep across the floor like organic ooze; drummer Chris Newman goes savage, beating his kit to a pulp; and the guitars fuss and fight like a hungry child. Harry Redus-Brown has been heavily praised for his marvelous voice, and rightly so, but just as important to the band’s aesthetic are the dual-lead vocals of Redus-Brown and Ella Vader, which give Unit 7 a hearthy warmth. (SM)

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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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