Alibi V.17 No.30 • July 24-30, 2008 ››
Music to Your Ears
The Agency (111 Fourth Street SW, between Central and Gold) continues its program of innovative, all-ages-friendly events with three shows this week. That's three more chances to explore the upstart multi-use music space, which is developing a decidedly electronic bent. Visit the-agency.org for heaps of more information.
Paquito D’Rivera Heads Funk Tango Quintet
Ebullient Cubano brings Grammy-winning crew to second week of the 2008 New Mexico Jazz Festival
On virtuoso clarinetist/saxophonist and award-winning composer Paquito D’Rivera’s most recent Latin jazz recording, Funk Tango, his omnivorous musical appetite provides a wide-ranging feast for the ears—from a bop-infused tango (Astor Piazolla’s “Revirado”) to a dreamy bolero (“Como un Bolero”) to a classically tinged tribute to Cuban composer Ernesto Lecuona (“Contradanza”) to an original Latin take on John Coltrane’s “Giant Steps.” Along the way, he quotes from Cole Porter’s “Another Opening, Another Show,” The Beatles’ “Eleanor Rigby” and the Mexican folksong “La Cucaracha,” among others.
The Life and Times
Leaning on Floyd
The Life and Times’ lead singer Allen Epley knows the term “alternative rock” conjures up negative images of post-grunge hackery. He’s also aware his band isn’t the first to call Pink Floyd a primary influence. But The Life and Times has an alt.rock flair and a lust for Floyd—and that’s just how it is.
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Flyer on the Wall
New Music Night
Newbie lineup VoW, Get Your Radio, Carnivuncular (ex-Morning Wood) and DJ Sideswipe test the stage at Ralli’s Fourth Street Pub and Grill (21+) this Friday, July 25. The show’s free—besides your dignity, what have you got to lose? (LM)
· The Dutchess and the Duke She's the Dutchess, He's the Duke
· The Hold Steady Stay Positive
Weezer's latest release, nicknamed "The Red Album," is another sad reminder of a great band that once was. Ever since 1996's Pinkerton, once-lauded geek-rock guru Rivers Cuomo hasn't been able to reproduce the magic that made his band one of the most craved commodities of the late '90s. Haphazard attempts at ironic-rapping (Weezer really missed the boat on the whole rap-rock craze) and superficial, empty and painfully predictable songwriting abound. There are some palatable tracks, like the single "Pork and Beans," but too often it sounds as though Cuomo is trying to write a catchy tune instead of just letting it happen. (SM)
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.