Music to Your Ears
By Laura Marrich
Clawhammer or Scruggs? Bluegrass banjo players pledge allegiance to one of the genre's two major styles (which boil down to frailing in the former and arpeggiated picking in the latter), but they're not at odds. Folks from either camp would jump at an opportunity to see a pillar of modern bluegrass in action, regardless of style—especially when you're talking about Earl Scruggs himself. Sixty-plus years of refined innovation and the guy still chooses playing live over resting on his laurels, though he doesn't make it to our neck of the woods much.
It’s not like Sonny and Cher
By Simon McCormack
Mac McCaughan gave Baltimore’s folksy shoegaze duo Wye Oak the best Christmas present of its young career.
Flyer on the Wall
Evan Christopher Django à la CrÈole · The 2Bers Children of a Mortal Sun · The New Year The New Year
Albuquerque hip-hop tandem The 2Bers doesn’t pout or scream about its dissatisfaction with day-to-day annoyances. Instead, the chill-hop effused from The 2Bers’ cauldron is an intoxicating brew of keyboards, organic samples and programmed backbeat that’s never in a rush and always understated. The flows are decidedly downtrodden and self-reflective, electing to move slowly and carefully without a lot of flash or flourish. The rhymes are good, but the beats are better. In fact, a couple of the best tracks are the instrumentals. This is especially true of “The City is Still Blue,” in which the keyboard line of Lovin’ Spoonful’s “Summer in the City” takes on a menacing, forceful and very engaging persona. (SM)
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard soundâ€”expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodiesâ€”as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Chevelle â€¢ alternative â€¢ Black Map â€¢ Dinosaur Pile-Up â€¢ rock at El Rey Theater
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