Alibi V.17 No.35 • Aug 28-Sept 3, 2008 

Music to Your Ears

Finger-Pickin' Good

Clawhammer or Scruggs? Bluegrass banjo players pledge allegiance to one of the genre's two major styles (which boil down to frailing in the former and arpeggiated picking in the latter), but they're not at odds. Folks from either camp would jump at an opportunity to see a pillar of modern bluegrass in action, regardless of style—especially when you're talking about Earl Scruggs himself. Sixty-plus years of refined innovation and the guy still chooses playing live over resting on his laurels, though he doesn't make it to our neck of the woods much.

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Skee ball. See? Baltimore isn’t so scary.

Spotlight

Wye Oak

It’s not like Sonny and Cher

Mac McCaughan gave Baltimore’s folksy shoegaze duo Wye Oak the best Christmas present of its young career.

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Flyer on the Wall

Rare Form

DJ Eldon does his thang every Friday night in The Cellar at Zinc (3009 Central NE). Never a cover, always 21+. (LM)

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Sonic Reducer

Evan Christopher Django la CrÈole · The 2Bers Children of a Mortal Sun · The New Year The New Year

Albuquerque hip-hop tandem The 2Bers doesn’t pout or scream about its dissatisfaction with day-to-day annoyances. Instead, the chill-hop effused from The 2Bers’ cauldron is an intoxicating brew of keyboards, organic samples and programmed backbeat that’s never in a rush and always understated. The flows are decidedly downtrodden and self-reflective, electing to move slowly and carefully without a lot of flash or flourish. The rhymes are good, but the beats are better. In fact, a couple of the best tracks are the instrumentals. This is especially true of “The City is Still Blue,” in which the keyboard line of Lovin’ Spoonful’s “Summer in the City” takes on a menacing, forceful and very engaging persona. (SM)

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The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
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Are You Ready Kids?

TOKiMONSTA • electronic, hip-hop

Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
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Sorry, Not Sorry

Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose

Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?
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