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LowLife Vids'n'Vinyl
LowLife Vids'n'Vinyl
 V.17 No.35 | August 28 - September 3, 2008 

Music to Your Ears

Finger-Pickin' Good

Clawhammer or Scruggs? Bluegrass banjo players pledge allegiance to one of the genre's two major styles (which boil down to frailing in the former and arpeggiated picking in the latter), but they're not at odds. Folks from either camp would jump at an opportunity to see a pillar of modern bluegrass in action, regardless of style—especially when you're talking about Earl Scruggs himself. Sixty-plus years of refined innovation and the guy still chooses playing live over resting on his laurels, though he doesn't make it to our neck of the woods much.

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Skee ball. See? Baltimore isn’t so scary.


Wye Oak

It’s not like Sonny and Cher

Mac McCaughan gave Baltimore’s folksy shoegaze duo Wye Oak the best Christmas present of its young career.

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[click to enlarge]

Flyer on the Wall

Rare Form

DJ Eldon does his thang every Friday night in The Cellar at Zinc (3009 Central NE). Never a cover, always 21+. (LM)

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Sonic Reducer

Evan Christopher Django la CrÈole · The 2Bers Children of a Mortal Sun · The New Year The New Year

Albuquerque hip-hop tandem The 2Bers doesn’t pout or scream about its dissatisfaction with day-to-day annoyances. Instead, the chill-hop effused from The 2Bers’ cauldron is an intoxicating brew of keyboards, organic samples and programmed backbeat that’s never in a rush and always understated. The flows are decidedly downtrodden and self-reflective, electing to move slowly and carefully without a lot of flash or flourish. The rhymes are good, but the beats are better. In fact, a couple of the best tracks are the instrumentals. This is especially true of “The City is Still Blue,” in which the keyboard line of Lovin’ Spoonful’s “Summer in the City” takes on a menacing, forceful and very engaging persona. (SM)

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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    LowLife Vids'n'Vinyl
    LowLife Vids'n'Vinyl12.17.2015