Alibi Bucks

 Mar 19 - 25, 2009 

Music to Your Ears

By Simon McCormack

The Agency Exits

Jason Wolf walked by the space that would become The Agency regularly for three years. “I couldn’t believe it wasn’t being used to its full potential,” Wolf recalls.

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TAAS is hard to pin down.
Courtesy of Suicide Squeeze Records


These Arms Are Snakes

Navigating a Touch and Go economy

By Dan Hinkel

Sorry, even this tale of post-hardcore math rock is about the economy.

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Flyer on the Wall

CrazyFool on the Loose

CrazyFool releases its third album, Corruption Rock, on vinyl, CD and MP3 this week. Preview the funky madness at the Launchpad on Friday, March 20, as the band plays an all-ages show with La Junta, Fighting Chance and El Mono Sucio. Then stick around for the 21+ after show with Felonious Groove Foundation and Fantastic Planet. The music starts at 8 p.m., and cover’s $7. (Laura Marrich)

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Sonic Reducer

Thunderheist Thunderheist · Aaron J. Johnson Songs of Our Fathers · Chris Cornell Scream

Rave-rap is a strange beast, and few bands highlight the genre's strengths and weaknesses better than Canada's Thunderheist. As long as the synths are thick, the flows are energetic and the beats don't sound processed, this album is a party-starter. But when the beat is a programmed thud and the vocals are a monotone-mumble, only robots could get down. Thunderheist succeeds about half the time: When it does, there's usually xylophone, disco claps or tambourine bringing the songs to life. MC Isis wraps her rhymes tightly, but she often borrows lyrics from artists like Old Dirty Bastard, Aaliyah and Lil John. Her skills are strong enough to stand on their own, but she leans on the words of others too frequently. (SM)

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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