This week, Albuquerque’s The Porter Draw celebrates its first recording. Trouble sometimes races, is sometimes slow and measured, is always at least a little forlorn. The album is a cross-country journey marked by excellent playing, refined harmonies and run-ins with the law. Formed in the summer of ’07 as a three piece, The Porter Draw is now comprised of Ben Wood, Josh Gingerich, Vince Edgerton, Russell Pyle and Mojo Atzberger. The bluegrass-y quintet, named after a Colorado off-ramp, e-mailed us answers to a few questions.
Few bands combine karaoke parties, bowling, wrestling moves and piggyback rides into an hour-long set. But that’s just how they do it on planet Peelander.
A few weeks back, Tom Guralnick, executive director and resident visionary at the Outpost, was onstage introducing David Sánchez when he mentioned that the internationally recognized saxophonist had appeared at the Outpost previously. He couldn’t remember when, though.
Aristeia injects Amped (4200 Lomas NE) with a dose of Portland experimental shoegaze on Saturday, March 28. Locals Poema, Shekinah and Authors & Illustrator bring the rubbing alcohol. The show’s $3 and all-ages as ever. (Laura Marrich)
The personnel tells you pretty much what you need to know: This is some smoking contemporary jazz. The flamboyantly emotional trumpet of Terence Blanchard and the sly, operatic saxophones of Branford Marsalis bring a dash of Crescent City savoir-faire to the proceedings, and the huge, percussive bass of Christian McBride keeps it all from flying away. Then there’s drummer/composer Watts, whose 10 original compositions range from easy-grooving country funk to screaming post-bop burners edged with humor, and whose drumming ... well, it’s a wonder and it’s right up front. Pianist Lawrence Fields guests on one poignant ballad. (MM)