Alibi Bucks

 Apr 16 - 22, 2009 

Music to Your Ears

By Laura Marrich

Scores of Scores

The New Mexico film industry's proverbial belt gets another notch punched in it this week, but it's not what you'll see that's making the state proud—it's what you'll hear. Albuquerque musician Tom Monahan composed the score for Fat Head, a nationally released docu-comedy starring, written and directed by Tom Naughton. The film is a direct challenge to Morgan Spurlock's 2004 Super Size Me (and, indirectly, an homage to Subway's "Jared" ad campaign). It follows Naughton as he eats nothing but fast food for 28 days and loses weight.

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Watt, front and center, with The Missingmen


Mike Watt

Ex-Minuteman ponders mortality while practicing an opera

By Dan Hinkel

Punk institution Mike Watt considered a lot of influences in designing his third rock opera: Walt Whitman, The Wizard of Oz, Watt’s own past recordings, “jackalopes and shit.”

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Loueke’s always on the lookout for inspiration.
Courtesey of Lionel Loueke


Lionel Loueke Trio

African-inflected guitar and telepathy

By Mel Minter

Blending simple, beautiful African melodies with forward-looking harmonies, a deep groove and an unusually percussive repertoire of vocalizations, guitarist Lionel Loueke has quickly captured the imagination of jazz audiences. He’s also won the respect of some of its biggest heavyweights, including Terence Blanchard, Herbie Hancock and Wayne Shorter.

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Flyer on the Wall

Gypsy, Be Good

Sleestaks, Dead On Point Five, Bat Wings for Lab Rats (featuring Rob of Holiday Sail) and Dynamite Kegs (from Cruces) rock the Launchpad on Thursday, April 16. The Gypsy Queens, a lady gang of inked Good Samaritans, will make a special appearance to raise awareness for Walk MS, coming up on Saturday, April 18, at Tiguex Park. The show is 21+, cover TBA. (Laura Marrich)

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Sonic Reducer

Yeah Yeah Yeahs It's Blitz! · The Thermals Now We Can See · Death Cab For Cutie "The Open Door EP"

The band that helped bring New York rock back from the dead has decided it wants to make new wave disco jams. It’s Blitz! proves the Yeah Yeah Yeahs can take a daring leap and land safely on the other side. The new format still carries the same high energy and adolescent volatility that characterizes the band’s previous two releases, but this record trades buzz guitar for synthesizer. Many groups change their stripes, but the result doesn’t pan out. Others keep their one trick going until fans eventually grow tired. The successful reinvention is the ultimate trick. It’s Blitz! pulls it off with grace. (SM)

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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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