Music to Your Ears
By Laura Marrich
Scores of Scores
The New Mexico film industry's proverbial belt gets another notch punched in it this week, but it's not what you'll see that's making the state proud—it's what you'll hear. Albuquerque musician Tom Monahan composed the score for Fat Head, a nationally released docu-comedy starring, written and directed by Tom Naughton. The film is a direct challenge to Morgan Spurlock's 2004 Super Size Me (and, indirectly, an homage to Subway's "Jared" ad campaign). It follows Naughton as he eats nothing but fast food for 28 days and loses weight.
Ex-Minuteman ponders mortality while practicing an opera
By Dan Hinkel
Punk institution Mike Watt considered a lot of influences in designing his third rock opera: Walt Whitman, The Wizard of Oz, Watt’s own past recordings, “jackalopes and shit.”
Courtesey of Lionel Loueke
Lionel Loueke Trio
African-inflected guitar and telepathy
By Mel Minter
Blending simple, beautiful African melodies with forward-looking harmonies, a deep groove and an unusually percussive repertoire of vocalizations, guitarist Lionel Loueke has quickly captured the imagination of jazz audiences. He’s also won the respect of some of its biggest heavyweights, including Terence Blanchard, Herbie Hancock and Wayne Shorter.
Flyer on the Wall
Gypsy, Be Good
Sleestaks, Dead On Point Five, Bat Wings for Lab Rats (featuring Rob of Holiday Sail) and Dynamite Kegs (from Cruces) rock the Launchpad on Thursday, April 16. The Gypsy Queens, a lady gang of inked Good Samaritans, will make a special appearance to raise awareness for Walk MS, coming up on Saturday, April 18, at Tiguex Park. The show is 21+, cover TBA. (Laura Marrich)
Yeah Yeah Yeahs It's Blitz! · The Thermals Now We Can See · Death Cab For Cutie "The Open Door EP"
The band that helped bring New York rock back from the dead has decided it wants to make new wave disco jams. It’s Blitz! proves the Yeah Yeah Yeahs can take a daring leap and land safely on the other side. The new format still carries the same high energy and adolescent volatility that characterizes the band’s previous two releases, but this record trades buzz guitar for synthesizer. Many groups change their stripes, but the result doesn’t pan out. Others keep their one trick going until fans eventually grow tired. The successful reinvention is the ultimate trick. It’s Blitz! pulls it off with grace. (SM)
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