Music to Your Ears
By Laura Marrich
The Return of Fast Heart Mart
Wipe away your tears, acoustic grunge lovers of Albuquerque. In late April, I shared Fast Heart Mart's announcement that a family emergency could call Burque's beloved singer/songwriter away to the East Coast. But the winds of fate have shifted, and all is well again: FHM isn't going anywhere. He's already lined up a boatload of interesting performances for the summer, including a show with Kate Mann on Friday, June 5, at the Albuquerque Center for Peace and Justice. And on Thursday, June 4, FHM is making a rare appearance as himself—Martin Stamper, the songwriter, all alone—at The Albuquerque Songwriter Series. The free show is at Slate Street Café (515 Slate NW, one block north of Lomas between Fifth and Sixth Streets) from 7 to 9 p.m., and it features the added creative juices of Johnny Wilson of Chokecherry Ranch and CK Barlow.
Murder on the high desert
By Simon McCormack
Jasper Brown picked up an acoustic guitar to appease his mother.
Glitter Glam Gays in Space
The first-ever Alibi Pride party: We're taking Pride to another planet!
By Jessica Cassyle Carr
With modern-day frights like asteroids, the plague, supervolcanoes, the bomb, sea pirates and Snuggies, the time is right to toss one's cares aside and indulge in the velvety, shimmering pleasures of the universe. In the ’70s, androgynous, first-wave glam acts such as T. Rex, Sweet, Slade, Ziggy Stardust and the New York Dolls developed a proto-punk/heavy metal franken-rock that flew its Moog-tinged spaceship to the outer reaches of raunchy hedonism and glittery artifice. While much of the resulting music is fabulous now-classic rock, the theater behind the highly conceptual movement is almost more interesting. Glam rock incorporated sci-fi themes, sexual ambiguity, absurd makeup and silver platform boots. Behold: The results were sexy.
Flyer on the Wall
Cadillac Sky performs bluegrass of infinite jest and most excellent fancy on Wednesday, June 10, at El Rey Theater (21+). Opening gibes provided by The Saltine Ramblers at 8 p.m. Cover is 12 ducats. (Laura Marrich)
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
ABQ Jazz Orchestra • jazz at The Cooperage
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