On Friday, June 26, the Akon Freedom Fest sets off an explosive lineup of R&B/rap chart-toppers at the Journal Pavilion. Headlining is club-banging, Senegalese-styled Akon, who also gets paid for producing hits like Gwen Stefani's sugary "The Sweet Escape." (He threw in the frisbee-like "Who hoo! Yee who!" choruses). The bill gets harder as Plies, Fat Joe, Lil' Jon, the Ying Yang Twins, Multi and Jotorious stalk the stage, with L.D. the Mash-Up King representing Albuquerque's hefty endowment of DJ talent. It's shaping up as the summer concert to beat.
At the 2008 edition of the Women’s Voices concerts, a perennial favorite presented by the New Mexico Jazz Workshop, what was happening offstage was almost as entertaining as what was happening onstage. Down front, audience left, a lively gaggle of divas who had already performed or were awaiting their turn watched their sisters onstage with genuine pride and delight, whooping it up in support.
Mikl (aka Mike Montgomery) of Albuquerque-born BrokeNCYDE says he's not sure where he is.
“Fantastic Planet” is a two-EP set and the side project name of Latin-funky Felonious Groove Foundation, who’s releasing part one of its pseudo-eponymous album tonight at the Launchpad. The Alex Maryol Band opens the show at 9:30 p.m. $7 includes a CD, 21+. (Laura Marrich)
Hombre Lobo exposes the animalistic impulses that characterize the act of courtship. Eels frontman Mark Oliver Everett (aka E) can be a fragile, sincere and lovesick puppy. But he can also be a ravenous wolf (hence the album title), hungry for sexual conquest. The tone changes with the lyrics. Softly strummed, clean guitar accompanies Everett when he's playing nice, and deep, static-cloaked bass and organ signal the singer-songwriter's turn toward aggression. Gritty, sophisticated and from the gut, Hombre Lobo howls with passion. (SM)