Alibi V.18 No.25 • June 18-24, 2009 
AlHaj (left) and Khan unite on Friday, June 19, for a world premiere performance that marries Middle Eastern and Indian music.

Music to Your Ears

All Folked Up

You can only squeeze so many banjos, two-steppers and fiddlers into a single Saturday afternoon. If you don't watch your elbows, you might get a rosined bow where God never intended.

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AlHaj (left) and Khan unite on Friday, June 19, for a world premiere performance that marries Middle Eastern and Indian music.

Show Up!

Rahim AlHaj and Ustad Amjad Ali Khan

Two musical masters serve the single purpose of peace

Though rooted in two different cultures, Iraqi oudist Rahim AlHaj and Indian sarodist Ustad Amjad Ali Khan have each flourished under the same sun: the belief that music is a singularly uniting art form that can transform the world for the better.

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A mosh pit erupts during the first Kannaroo music festival two years ago.
Jessie Martin

Spotlight

Kannaroo 3: Killith Fair

Music for music's sake

Usually, drunken ideas only sound brilliant while you're sloshed.

Max Moulton and three of his friends from Dixon beat the odds and came up with a solid idea for a music festival while blitzed. "Alcohol was kind of the catalyst," Moulton recalls. "Booze cures all."

That was three years ago. Since then, there have been two installments of their Kannaroo music festival in Sunshine Valley, situated just north of Questa. The third Kannaroo features 12 bands from New Mexico, Arizona and Colorado, a guitar shred-off competition and an improperly sized volleyball game.

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[click to enlarge]

Flyer on the Wall

Team America

Religious Girls (East Bay, Calif.), Jessie Williams and Colton Saylor (California, California), and Our Brother the Native (Ann Arbor, Mich.) split the cross-country difference and meet in Albuquerque at CiRQ art gallery (712 Central SE, just west of I-25) on Wednesday, June 24. Yoda’s House acts as Southwestern ambassador. 8 p.m., $5, all-ages. (Laura Marrich)

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Sonic Reducer

Nikki Kelly Nikki Kelly · Miles Okazaki Generations · The Ashes The Ashes

Albuquerque's Nikki Kelly sounds like she just woke up. Her sleepy, raspy and understated vocals set up the scene for everything she crafts instrumentally. Kelly plays guitar, piano, accordion and ukulele on her self-titled release, but the record is hardly cacophonous. Subdued folk keeps its cool and the biggest surprises come when Kelly's voice shoots high into the air. Lyrically, Kelly covers boredom, smoking and all matter of relationship troubles. She has a quiet, self-assured delivery and enough patience to stay away from overreaching. Her songs shun gaudy ornamentation—their simplicity is their greatest strength. (SM)

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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