Music to Your Ears
By Laura Marrich
Austin County Limits
If Austin, Texas, has two things going for it, it's barbecue and live music. Here in Albuquerque, The County Line (9600 Tramway NE) has long served as an outpost for Austin's mesquite-smoked meats. But that's only half of the equation. To get the true flavor of a Texas barbecue in your craw, you need electric guitars ringing in your ears.
The Virtual Michael Jackson Shrine
Rest in peace, King of Pop
By Gene Grant
One of the blessings we’ve gotten from Michael Jackson is the archive of filmed, documented milestones. Looking back, it can be considered the most public “progress report” of any entertainer in the last 45 years.
The Blood Drained Cows
Garage rock with a pedigree
By Simon McCormack
What is Gregg Turner doing in Santa Fe?
That was the driving question that convinced us to give the Angry Samoans co-founder a call. Turner and his fellow Los Angeles-based Samoans helped usher in the first wave of punk during the late ’70s. Now he's a math teacher at New Mexico Highlands University in Las Vegas.
Flyer on the Wall
Anesthesia, Torture Victim and Sandia Man serve up of a hot, salted pit of headbanging on Friday, July 3, at the Launchpad. $5 ensures your neck will be good and warmed up for watching the weekend’s fireworks. 21+, doors open at 8 p.m. (Laura Marrich)
NOFX Coaster · CanyonLands The Last Dinosaur
A new NOFX record is always a pleasant surprise since it means the band is still kicking after 25 years of hard skating and boozing. If you're waiting for the band to transform itself into a totally different beast after a quarter of a century, you'll have to keep waiting. There are a couple of Chuck Berry-style riffs on "We Called It America" and some rockabilly undertones on "Blasphemy (The Victimless Crime)." Other than that, Coaster is nearly indistinguishable from the other 10 LPs that preceded it. That's not necessarily a bad thing. The band still goes hard and refuses to wussify. That should keep folks still on the NOFX train onboard. (SM)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Aer • rap, rock • Cody Simpson • Chef'Special at Sunshine Theater
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