Music to Your Ears
By Simon McCormack
Sabertooth Cavity Bites Into a Tour
Albuquerque's premier experimental noise band from the Cenozoic Era, Sabertooth Cavity, is getting its van road-ready and heading out.
Eric Williams ericwphoto.com
A home for new and unorthodox music feathers its nest
By Mel Minter
These are some of the “normal” ways of getting music done. But for adventurous musicians, such everyday forms—even everyday instruments—don’t always serve their artistic impulses. These musical explorers search for new ways to communicate. They also need an audience with whom to share their discoveries.
Enter Mark Weaver, architect, tuba player, and adventurous musician and listener, who wondered how he could help out. His answer: The Roost, a series of “emergent creative music,” says the statement of purpose, “curated with an eye to originality, freshness of approach, and artistic vision.”
Flyer on the Wall
Miguel Briones (acoustic pop singer-songwriter from Texas) gets an Albuquerque metal welcome from I Remember You, Mechanism Of Eve, Scarless and HATEengine. 6:30 p.m. on Sunday, Aug. 2, at Bleeding Eardrum Rehearsal Studio (9201 Indian School NE). $8, all-ages. (Laura Marrich)
Portugal. The Man The Satanic Satanist · RX Bandits Mandala · Solid Ghost Disconcerto No. 1
Portugal. The Man's fourth album in as many years was recorded in a week and a half. The Wasilla, Alaska foursome clearly thrives on brevity: The Satanic Satanist is richly textured, finely tuned and gorgeously orchestrated. There's a certain cosmic-carnival taste you can lick off the spiraling guitars, and nearly every song flows into the next, making the record seem like a continuous psychedelic jam. (That shouldn't surprise anyone who picks up the CD, since the cover art is nothing if not trippy.) Portugal. The Man continues to streamline its sound without telegraphing its next move. (SM)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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