The Wildlife West Music Festival is wheeling in Grammy-nominated folk musician John McCutcheon and more than 10 other acoustic acts. If somehow you get bored of listening to McCutcheon, a man Johnny Cash called "the most impressive instrumentalist I've ever heard," you can always go gawk at a mountain lion.
New Orleans pianist/composer Tom McDermott has never played in a bordello (although he could once see one from his home), but he has absorbed the New Orleans piano professors’ traditional approach to the eighty-eights. That tradition owes a significant debt to the Big Easy’s classier houses of ill repute, which expected the solo pianist to reproduce all the excitement of a small combo—but at a much lower cost.
New Orleans' Quintron and Miss Pussycat entertain the Land of Enchantment
By Jessica Cassyle Carr
Mr. Quintron is an inventor, organist and one-man band. Miss Pussycat is a puppeteer and musician. Together, as a married couple and an artistic team, they posses the gifted imaginations required in the creation of something truly original. In New Orleans the duo is an acclaimed part of the city's music and art scenes. In fact, next year the New Orleans Museum of Art will feature their work in a three-month exhibition. Meanwhile, the two are making their way across the country along with a Drum Buddy (the photoelectric rotating drum machine of Quintron's invention) and a bunch of murderous puppets. They appear in New Mexico this week. The Alibi spoke with each of them as they prepared for the expedition from their headquarters in the Ninth Ward.
Crystal Castles • electropunk, synth pop, witch house
By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.