Music to Your Ears
By Kyle Eustice
Monolith Festival, Take Three
Since 2007, the massive team behind Colorado’s Monolith Festival has made magic happen with a two-day odyssey into musical bliss. Hosted at the scenic Red Rocks Amphitheater, the Monolith Festival is quickly becoming the premier festival in the region. Last year saw appearances by Cut Copy, Justice, The Hood Internet, Del tha Funkee Homosapien, Tilly and the Wall, Atmosphere, and Band of Horses. As if those performances weren’t enough, four additional stages were set up throughout the venue to ensure a variety of musical experiences.
Courtesy of Ween
A rare chat with Ween
By Adam Perry
Despite last year’s joyous release of an incredible live show from 1992 [Live at The Cat’s Cradle, 1992, Chocodog Records], all those early years when Ween consisted of Dean and Gene—two young, talented and hilarious Pennsylvania kids—and a drum machine seem like ancient history. Seeing a Ween show without drummer-extraordinaire Claude Coleman behind the kit has been impossible for the past 15 years, but that could change soon: Rumors have been spreading all over the Internet this summer about Coleman—a multi-instrumentalist who also leads the band Amandla and teaches at the Paul Green School of Rock in NYC—taking a break from Ween to make sense of a life that has perhaps appeared too fast and fun since his near-fatal auto accident. He even confirmed it in a heartfelt statement. However, when asked about Coleman’s departure, Dean Ween (born Mickey Melchiondo) told the Alibi, “Claude is still in the band the last time I checked.” In a follow-up e-mail, Ween’s manager Greg Frey told the Alibi, “Mickey's answer regarding Claude is spot on. Anything else is hearsay.”
Flyer on the Wall
Swe-Den of Iniquity
It comes from the land of ice and snow, where the chief exports are IKEA and meatballs. Swedish five-piece Enforcer is proud to sport tight leather pants and play speed metal in the style of Iron Maiden. Hear the hammer drop at The Compound (3206 San Mateo NE) on Monday, Sept. 7, with Cauldron (from Canada, eh?) Torture Victim, Dread and Vetalas. 6:30 p.m. All-ages, $8. (Laura Marrich)
Eyedea & Abilities By The Throat · Mew No More Stories · Amanda Blank I Love You
By Simon McCormack
Incorporating new wave, '80s dance music and Brit-pop into a rap beat is something relatively new. Within that realm, the contributions to hip-hop made by artists like M.I.A. and Santigold are unquestionable. Amanda Blank is cut from the same cloth as these pioneers, but it’s tough to make the case she brings anything new to the hipster-hop genre. Her rapid-fire raps are impressive, and she's got all the swagger a successful MC needs. But I Love You comes off as largely unoriginal and contrived. The Philadelphia-born wordsmith has the talent to branch out and find her own schtick in future offerings.
Vaudeville Open Mic
By Devin D. O'Leary
Cabaret Audacity presents a Vaudeville Open Mic at Sidewinders Bar Cabaret Theater. This brand new monthly showcase will take place every third Wednesday of 2017. Dancers, singers, comedians, musicians, performance artists, jugglers, magicians, sideshow acts, burlesque performers and more are invited to hone their talents and debut brand new material on stage at VOM. Shows are hosted by Julian Addams-Wolf and other members of Cabaret Audacity, including Eddi Fication and Arcane. A suggested donation of $5 gets you in the door beginning at 7:30pm. This is a 21+ event.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for a fundraiser Rubgy is a Drag drag show presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag in a one night only event with the guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in NM. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to nineties peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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