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 Sep 3 - 9, 2009 

Music to Your Ears

By Kyle Eustice

Monolith Festival, Take Three

Since 2007, the massive team behind Colorado’s Monolith Festival has made magic happen with a two-day odyssey into musical bliss. Hosted at the scenic Red Rocks Amphitheater, the Monolith Festival is quickly becoming the premier festival in the region. Last year saw appearances by Cut Copy, Justice, The Hood Internet, Del tha Funkee Homosapien, Tilly and the Wall, Atmosphere, and Band of Horses. As if those performances weren’t enough, four additional stages were set up throughout the venue to ensure a variety of musical experiences.

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Ween’s Gene (Aaron Freeman) and Dean (Mickey Melchiondo)
Courtesy of Ween

Music Interview

Prozac Enemas

A rare chat with Ween

By Adam Perry

Despite last year’s joyous release of an incredible live show from 1992 [Live at The Cat’s Cradle, 1992, Chocodog Records], all those early years when Ween consisted of Dean and Gene—two young, talented and hilarious Pennsylvania kids—and a drum machine seem like ancient history. Seeing a Ween show without drummer-extraordinaire Claude Coleman behind the kit has been impossible for the past 15 years, but that could change soon: Rumors have been spreading all over the Internet this summer about Coleman—a multi-instrumentalist who also leads the band Amandla and teaches at the Paul Green School of Rock in NYC—taking a break from Ween to make sense of a life that has perhaps appeared too fast and fun since his near-fatal auto accident. He even confirmed it in a heartfelt statement. However, when asked about Coleman’s departure, Dean Ween (born Mickey Melchiondo) told the Alibi, “Claude is still in the band the last time I checked.” In a follow-up e-mail, Ween’s manager Greg Frey told the Alibi, “Mickey's answer regarding Claude is spot on. Anything else is hearsay.”

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Flyer on the Wall

Swe-Den of Iniquity

It comes from the land of ice and snow, where the chief exports are IKEA and meatballs. Swedish five-piece Enforcer is proud to sport tight leather pants and play speed metal in the style of Iron Maiden. Hear the hammer drop at The Compound (3206 San Mateo NE) on Monday, Sept. 7, with Cauldron (from Canada, eh?) Torture Victim, Dread and Vetalas. 6:30 p.m. All-ages, $8. (Laura Marrich)

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Sonic Reducer

Eyedea & Abilities By The Throat · Mew No More Stories · Amanda Blank I Love You

By Simon McCormack

Incorporating new wave, '80s dance music and Brit-pop into a rap beat is something relatively new. Within that realm, the contributions to hip-hop made by artists like M.I.A. and Santigold are unquestionable. Amanda Blank is cut from the same cloth as these pioneers, but it’s tough to make the case she brings anything new to the hipster-hop genre. Her rapid-fire raps are impressive, and she's got all the swagger a successful MC needs. But I Love You comes off as largely unoriginal and contrived. The Philadelphia-born wordsmith has the talent to branch out and find her own schtick in future offerings.

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The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

By August March
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
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Are You Ready Kids?

TOKiMONSTA • electronic, hip-hop

By August March
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
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Sorry, Not Sorry

Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose

By August March
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?
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