You haven't you signed up for the Music in Film Summit yet? Sheesh. Friday and Saturday, Sept. 18 and 19, Downtown will host panels and parties devoted to getting your music on the big screen, and it's 100 percent free. But before you load up the jalopy and move to California, you need to RSVP in advance of the conference to email@example.com. Log on to newmexicomusic.org for the schedule.
MV & EE plays with sound in the form of electrified acoustic instruments (and vice-versa in Thurston Moore's trippy Ecstatic Peace! label recordings.) Burque’s A.G.L. and The Jeebies open what looks like the last show at 1Kind Studios (1016 Coal SW) on Tuesday, Sept. 22 ... :( . Cover is $5, jammage beings at 8:30 p.m. and it’s still all-ages. ... :) (Laura Marrich)
An obvious labor of love, Sweet is 11 tracks of swinging, straight-ahead jazz. Seven original compositions from Jan McDonald (trumpet, flumpet) and producers Bert Dalton (piano) and Jon Gagan (bass) present some of New Mexico’s musical heavyweights—all in in superb settings that range from a duo to a 12-piece orchestra. McDonald plays in a shaded tone with a spare, almost baroque lyricism and an emotionality deepened by its understatement. “My Funny Valentine,” which you probably thought you’d never want to hear again on the trumpet, gets a particularly restrained and touching reading that gives the “repeat” button a workout. The writing is often superb, as in “Sweet Thing,” “Sorry Bastard Blues,” and the opening title track (where trumpeter Bobby Shew’s bright, brassy sound complements McDonald’s darker tone)—all from McDonald’s pen.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
By August March
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
By August March
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?