Alibi V.18 No.43 • Oct 22-28, 2009 
Dancers at last year's Lindy Exchange

Music to Your Ears

The Swing of Things

For more than a decade, Tuesday nights at the Heights Community Center (823 Buena Vista SE, southwest of Yale and Coal) have been Albuquerque's haven for swing dancing and the hopped-up, vintage music that compels it.

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Arts Interview

In a Landscape

DJ Spooky on Antarctica, economics and sound art

“I think of my work as a collision between philosophy and music and art, just like a mix.”

Read the complete interview.

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A murder of crows can’t out-creep Tech N9ne.

Wax Tracks

Tech N9ne

Tears of a clown

Rarely do face paint and hardcore rap seamlessly fit together, but for Kansas City’s Tech N9ne, it’s been his steez for the past two decades. The self-proclaimed “weirdo rapper” deals in fallen angels and other dark material that places him worlds apart from other MCs. It’s not all about bling, bitches or Bentleys—he rhymes like he’s narrating a horror film. Tech’s style murders the competition by combining wicked, tricky wordplay, melodic hooks and incredibly speedy rap. But the most impressive thing about Tech N9ne isn’t his music—it’s his work ethic.

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The “new” Michael Anthony Trio: bassist Robert “Milo” Jaramillo, guitarist Michael Anthony and drummer Andy Poling

Jazzed

Michael Anthony

Guitar Heroes

Guitarist Michael Anthony makes it a point to recognize the people who have influenced him along the way.

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[click to enlarge]

Flyer on the Wall

Nougat, Caramel, Orange Cream

For their birthdays, James and Mark get a Whitman’s sampler of psychedelic trails (Canyonlands, Arc Light), Brit-pop hooks (The Hollow Lines), electro beats (The Gatherers) and garage punk distortion (The Scrams). Basement Films ties them up with a big, graphic bow on Saturday, Oct. 24, at Burt’s Tiki Lounge (21+, free). (Laura Marrich)

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Sonic Reducer

The Scrams The Scrams · Dead Man's Bones Dead Man's Bones · Hockey Mind Chaos

Three cheers for new New Mexi rock and roll. More cheers for music pressed on wax. This vinyl 7-inch contains four Farfisa-driven, greasy garage tracks. Due to the prominent organ, it bears similarities to the first album by—and I know bands hate to be compared to other bands, but I can't not mention this—British ghouls The Horrors. The songs are short, sweet and dirty. There's even a dance craze. And it's all over too soon. For more, go see The Scrams live at Burt's Tiki Lounge this Saturday.

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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness it. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the doors to the cosmic stage will open at 8pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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