Music to Your Ears
By Laura Marrich
What a world. I started interning at the Alibi six years ago as a culinary student and liberal arts college dropout. My entire work history before that consisted of catering and short-order cooking. The Alibi was my first desk job.
Film Guide special! Match the movies to the musicians that appeared in them
By Jessica Cassyle Carr
It's a known law of the universe that the actors-turned-rockers will nearly always be met with disrespect (Kevin Bacon, Keanu Reeves), whereas filmic forays made by musicians are generally accepted as interesting novelties (Iggy Pop, Tom Waits). Below lie 30 films that contain lead roles or small cameos by bands or musicians. Oi!
Stryper’s still rockin’ the gospel
By Jessica Cassyle Carr
Since 1983, Stryper has shone the light of Jesus on a style of music typically associated with the dark, debauched side of life. The glam metal band relaxed its outrageous black-and-yellow striped look in the early ’90s, then disbanded in ’92 when the genre went the way of the flying dragon-beast-thing ridden by a big-breasted cartoon woman. The hair metal revival of the early part of this decade spurred the band to reunite in 2003, and Stryper’s been performing/preaching since. At times the band was accused of blasphemy and devil worshiping—not true, folks. Last week I spoke with lead guitarist Oz Fox, and, whoa, this band loves the Lord.
Flyer on the Wall
Looks like a Man About a Horse will be a-ridin’ into the sunset on Saturday, Nov. 7. Also in the saddle for the farewell show are COLOR WAR (Brooklyn) and Sam Irons and the Blank Stares (Burque), all at Burt’s Tiki Lounge (313 Gold SW). Free, 21+. (Laura Marrich)
Matt Wilson Quartet That's Gonna Leave a Mark · Chris Potter Ultrahang
By Mel Minter
Matt Wilson is a beautifully melodic drummer, composer and, truth be told, vaudevillian and activist. With Andrew D’Angelo (alto sax, bass clarinet), Jeff Lederer (tenor and soprano sax, clarinet) and Chris Lightcap (bass), he presents a theatrically charming and challenging collection of nine originals and two covers. They’re all rooted in black American songbooks: spirituals to bebop to R&B to funk to hard bop. There’s free blowing on the title track, poignancy in “Getting Friendly” and funky uplift in War’s anthemic “Why Can’t We Be Friends?”. The beautifully recorded quartet just nails it all, as Wilson can be heard proclaiming at one point.
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts Center
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