Music to Your Ears
By Laura Marrich
What a world. I started interning at the Alibi six years ago as a culinary student and liberal arts college dropout. My entire work history before that consisted of catering and short-order cooking. The Alibi was my first desk job.
Film Guide special! Match the movies to the musicians that appeared in them
By Jessica Cassyle Carr
It's a known law of the universe that the actors-turned-rockers will nearly always be met with disrespect (Kevin Bacon, Keanu Reeves), whereas filmic forays made by musicians are generally accepted as interesting novelties (Iggy Pop, Tom Waits). Below lie 30 films that contain lead roles or small cameos by bands or musicians. Oi!
Stryper’s still rockin’ the gospel
By Jessica Cassyle Carr
Since 1983, Stryper has shone the light of Jesus on a style of music typically associated with the dark, debauched side of life. The glam metal band relaxed its outrageous black-and-yellow striped look in the early ’90s, then disbanded in ’92 when the genre went the way of the flying dragon-beast-thing ridden by a big-breasted cartoon woman. The hair metal revival of the early part of this decade spurred the band to reunite in 2003, and Stryper’s been performing/preaching since. At times the band was accused of blasphemy and devil worshiping—not true, folks. Last week I spoke with lead guitarist Oz Fox, and, whoa, this band loves the Lord.
Flyer on the Wall
Looks like a Man About a Horse will be a-ridin’ into the sunset on Saturday, Nov. 7. Also in the saddle for the farewell show are COLOR WAR (Brooklyn) and Sam Irons and the Blank Stares (Burque), all at Burt’s Tiki Lounge (313 Gold SW). Free, 21+. (Laura Marrich)
Matt Wilson Quartet That's Gonna Leave a Mark · Chris Potter Ultrahang
By Mel Minter
Matt Wilson is a beautifully melodic drummer, composer and, truth be told, vaudevillian and activist. With Andrew D’Angelo (alto sax, bass clarinet), Jeff Lederer (tenor and soprano sax, clarinet) and Chris Lightcap (bass), he presents a theatrically charming and challenging collection of nine originals and two covers. They’re all rooted in black American songbooks: spirituals to bebop to R&B to funk to hard bop. There’s free blowing on the title track, poignancy in “Getting Friendly” and funky uplift in War’s anthemic “Why Can’t We Be Friends?”. The beautifully recorded quartet just nails it all, as Wilson can be heard proclaiming at one point.
Vaudeville Open Mic
By Devin D. O'Leary
Cabaret Audacity presents a Vaudeville Open Mic at Sidewinders Bar Cabaret Theater. This brand new monthly showcase will take place every third Wednesday of 2017. Dancers, singers, comedians, musicians, performance artists, jugglers, magicians, sideshow acts, burlesque performers and more are invited to hone their talents and debut brand new material on stage at VOM. Shows are hosted by Julian Addams-Wolf and other members of Cabaret Audacity, including Eddi Fication and Arcane. A suggested donation of $5 gets you in the door beginning at 7:30pm. This is a 21+ event.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in New Mexico. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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