A chat with Mike Love of The Beach Boys
By Kyle Eustice
In 1968, Beatle Paul McCartney and Beach Boy Mike Love were at the breakfast table in India. McCartney had come to Love with a very rough form of “Back in the U.S.S.R.,” which he began writing on the trip. Over pancakes and fruit, McCartney started singing the chorus. “Paul sang me the verse. I told him he should talk about the Russian girls in Moscow,” Love explains. “He took my idea and incorporated it into the song.”
Jessica Cassyle Carr
Sound and Sight
New Mexico music licensing company Masterscape, Inc. helps artists make money
By Jessica Cassyle Carr
Meeting an Albuquerque musician who makes more than $50 at an average show nowadays is rarer than sighting the elusive yeti, and as most can tell you, earning a respectable sum via song is almost unheard of. Almost.
Zappa on Zappa
Dweezil discusses Frank's compositions, being nonpolitical and Japanese toys from the ’70s
By Jessica Cassyle Carr
During a career that spanned more than three decades, exhalted composer, guitarist, visual artist, film director and general avant garde visionary Frank Zappa wrote and produced a multitude of songs. His music strode a squiggly line between jazz rock and experimental classical music, and there was nothing like it then, or now. A few years ago, Zappa's oldest son Dweezil went on the road, re-creating his father's original compositions. The Grammy-winning tour, which continues to be met with success, comes to Albuquerque this week. Dweezil told us about it in a telephone interview.
Flyer on the Wall
Une Femme Est Une Femme
Admire this seemingly French new wave-inspired poster, then see the show on Friday, Nov. 20, 10 p.m.-ish, at Burt’s Tiki Lounge (313 Gold SW). The evening features performances by an eclectic, extra-X chromosome-laden cast headlined by hell-raising honky tonk heros Sin Serenade, supported by all-girl thrashers Suspended, beatbox queen Saywut?! and Ben Hawthorne (we think he’s a dude). Free, 21+. (Jessica Cassyle Carr)
The Flaming Lips Embryonic · Bob Dylan Christmas in the Heart · Goldspot And The Elephant Is Dancing
A keystone in the wall of weirdness The Flaming Lips has built over the past 25 years has been the unique ability to juxtapose bizarre music and lyrics with cathartic optimism in songs like “Do You Realize??” However, this 13th album stunningly takes the Oklahoma band’s notorious weirdness to hell and leaves listeners there, surrounded by dark and versatile psychedelic rock. Embryonic—somewhere between early Floyd and Miles Davis’ Get Up With It—turns upside down ecstatic and eccentric frontman Wayne Coyne’s usual oddball tales of love saving the world with lines like “I believe in nothing” and “love is powerful, but not as powerful as evil.” (AP)
By Jessica Cassyle Carr
Tom Frouge is the creator of ¡Globalquerque!, owner of an artist management company called Avokado Artists and partner in a music licensing company called Masterscape, Inc. (see “Sound and Sight”). He’s also one of our first victims in Song Roulette, a new column where music fans are asked to put their music libraries on shuffle, sharing and commenting on the first five tracks that happen to show up.
Castle • metal • Shoggoth • metal • SuperGiant • stoner rock • Jagged Mouth • metal
By Megan Reneau
Do their bidding—doom metal trio, Castle enchants locals at the Launchpad this Saturday, March 4, starting at 8pm. Joining the '70's heavy metal-esque group will be Burque inhabitants Shoggoth, SuperGiant and Jagged Mouth. Only vessels 21+ for this $8 show allowed.
Gaby Fuentes • Regulus • Tear Pressure • indie pop, punk
By August March
An up and coming local band I have been enjoying listening to is named Tear Pressure. I found out about them when I was wandering the local college campus and saw a flyer for a show they were doing at some apartment complex up on Copper, in the heights, yo. That was a decent show with an excellent barbeque and I felt like Tear Pressure was going to appear on the scene within the year. Now of course, they are playing their dirty and delicious, slithery and subtle no wave at Burt's Tiki Lounge on Monday, March 6, and as usual at Burt's there is no goddamn cover charge. Ever. I hear some daring lo-fi pop credentials being built on tunes from the band's latest recording, the Chill Ass EP—songs like “Quaaludes” and “All Moms Are Weirdos.” that build intensity as they roll through cray melodic and stylistic changes. They'll be opening for math mastermind and CRTTRZ guitarist Gabriel Angel Fuentes and Austin indie taco-rockers Regulus, so be there
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