Queen: The Ultimate Illustrated History of the Crown Kings of Rock
If there is but one truth within the annals of rock 'n' roll, it is this: Queen is awesome. Voyageur Press understands this truth. The publisher released a handful of excellent coffee table titles this year, including one on The Velvet Underground and another on Neil Diamond (very cleverly named Neil Diamond Is Forever), and has now added to its catalog an extensive volume that chronicles Queen's mighty quintessence. With the help of hundreds of photos, record covers and other ephemera, rock journalist Phil Sutcliffe recounts Queen's story from a tiny twinkle in Freddie Mercury, Brian May, Roger Taylor and John Deacon's eyes, to arena-rocking audiences throughout the '70s and '80s, to Mercury's death of AIDS in 1991, to present. The book is supplemented by guest writers on topics like the band's equipment and effects, and how it persists with only two remaining original members. There's also commentary—Slash on Brian May, Rob Halford on Freddie Mercury, et cetera. Even comics about the band are included. It's a worthy package of Queen's regal, majestic, glamourous glory.
Dirt City Archives
Land of the Lost
By Captain America
Scared of Chaka is responsible for me cutting off my hippie hair.
Flyer on the Wall
Could this be the coming of ska’s fourth wave? To find out, put on your bowler and finely tailored pants on Saturday, Dec. 12, and skank down to Amped Performance Center (4200 Lomas NE). The $5, all-ages show begins at 7 p.m. and includes the jams of Drop Steady Rockers, The Blue Hornets and Martial Law. (Jessica Cassyle Carr)
Bernadette Seacrest and Her Provocateurs The Filthy South Sessions · Phish Festival 8 (10/31/09) · Felt Felt 3: A Tribute to Rosie Perez
With a voice that promises everything, including maybe 20 years in the pen, vocalist/co-producer Bernadette Seacrest conjures a noir underbelly of a world on The Filthy South Sessions, with help from co-producers Charles Williams (guitars), who wrote all 12 tunes, Kris Dale (double bass, pedal steel) and guests. Williams’ steamy tangos, blues and rumbas don’t so much tell stories as sideswipe them (“I love you, but put down that gun”). “Babylon” recalls Leonard Cohen’s lyrical enigmas, and Seacrest delivers it with a seductive, Billie Holiday–esque plangency. Clearly, Seacrest knows what’s what and, deliciously, she’s in no hurry to explain it. (MM)
Launchpad’s Luis Mota
By Jessica Cassyle Carr
As talent-buyer and manager for not one, not two, but three venues—Launchpad, Low Spirits and Sunshine Theater—Luis Mota is constantly surrounded by music and/or music-related things. Below are the first five shuffled tracks that were floating around his music library.
Vaudeville Open Mic
By Devin D. O'Leary
Cabaret Audacity presents a Vaudeville Open Mic at Sidewinders Bar Cabaret Theater. This brand new monthly showcase will take place every third Wednesday of 2017. Dancers, singers, comedians, musicians, performance artists, jugglers, magicians, sideshow acts, burlesque performers and more are invited to hone their talents and debut brand new material on stage at VOM. Shows are hosted by Julian Addams-Wolf and other members of Cabaret Audacity, including Eddi Fication and Arcane. A suggested donation of $5 gets you in the door beginning at 7:30pm. This is a 21+ event.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for a fundraiser Rubgy is a Drag drag show presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag in a one night only event with the guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in NM. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to nineties peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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