Alibi V.18 No.50 • Dec 10-16, 2009 

Rock Reads

Queen: The Ultimate Illustrated History of the Crown Kings of Rock

If there is but one truth within the annals of rock 'n' roll, it is this: Queen is awesome. Voyageur Press understands this truth. The publisher released a handful of excellent coffee table titles this year, including one on The Velvet Underground and another on Neil Diamond (very cleverly named Neil Diamond Is Forever), and has now added to its catalog an extensive volume that chronicles Queen's mighty quintessence. With the help of hundreds of photos, record covers and other ephemera, rock journalist Phil Sutcliffe recounts Queen's story from a tiny twinkle in Freddie Mercury, Brian May, Roger Taylor and John Deacon's eyes, to arena-rocking audiences throughout the '70s and '80s, to Mercury's death of AIDS in 1991, to present. The book is supplemented by guest writers on topics like the band's equipment and effects, and how it persists with only two remaining original members. There's also commentary—Slash on Brian May, Rob Halford on Freddie Mercury, et cetera. Even comics about the band are included. It's a worthy package of Queen's regal, majestic, glamourous glory.

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Hutch Brown Sayngwich  , the way to go for   puro   Chaka.

Dirt City Archives

Land of the Lost

Scared of Chaka is responsible for me cutting off my hippie hair.

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Flyer on the Wall

Skavolution

Could this be the coming of ska’s fourth wave? To find out, put on your bowler and finely tailored pants on Saturday, Dec. 12, and skank down to Amped Performance Center (4200 Lomas NE). The $5, all-ages show begins at 7 p.m. and includes the jams of Drop Steady Rockers, The Blue Hornets and Martial Law. (Jessica Cassyle Carr)

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Sonic Reducer

Bernadette Seacrest and Her Provocateurs The Filthy South Sessions · Phish Festival 8 (10/31/09) · Felt Felt 3: A Tribute to Rosie Perez

With a voice that promises everything, including maybe 20 years in the pen, vocalist/co-producer Bernadette Seacrest conjures a noir underbelly of a world on The Filthy South Sessions, with help from co-producers Charles Williams (guitars), who wrote all 12 tunes, Kris Dale (double bass, pedal steel) and guests. Williams’ steamy tangos, blues and rumbas don’t so much tell stories as sideswipe them (“I love you, but put down that gun”). “Babylon” recalls Leonard Cohen’s lyrical enigmas, and Seacrest delivers it with a seductive, Billie Holiday–esque plangency. Clearly, Seacrest knows what’s what and, deliciously, she’s in no hurry to explain it. (MM)

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Music Playlist

Song Roulette

Launchpad’s Luis Mota

As talent-buyer and manager for not one, not two, but three venues—Launchpad, Low Spirits and Sunshine Theater—Luis Mota is constantly surrounded by music and/or music-related things. Below are the first five shuffled tracks that were floating around his music library.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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