Alibi V.18 No.50 • Dec 10-16, 2009 ››
Queen: The Ultimate Illustrated History of the Crown Kings of Rock
If there is but one truth within the annals of rock 'n' roll, it is this: Queen is awesome. Voyageur Press understands this truth. The publisher released a handful of excellent coffee table titles this year, including one on The Velvet Underground and another on Neil Diamond (very cleverly named Neil Diamond Is Forever), and has now added to its catalog an extensive volume that chronicles Queen's mighty quintessence. With the help of hundreds of photos, record covers and other ephemera, rock journalist Phil Sutcliffe recounts Queen's story from a tiny twinkle in Freddie Mercury, Brian May, Roger Taylor and John Deacon's eyes, to arena-rocking audiences throughout the '70s and '80s, to Mercury's death of AIDS in 1991, to present. The book is supplemented by guest writers on topics like the band's equipment and effects, and how it persists with only two remaining original members. There's also commentary—Slash on Brian May, Rob Halford on Freddie Mercury, et cetera. Even comics about the band are included. It's a worthy package of Queen's regal, majestic, glamourous glory.
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Flyer on the Wall
Could this be the coming of ska’s fourth wave? To find out, put on your bowler and finely tailored pants on Saturday, Dec. 12, and skank down to Amped Performance Center (4200 Lomas NE). The $5, all-ages show begins at 7 p.m. and includes the jams of Drop Steady Rockers, The Blue Hornets and Martial Law. (Jessica Cassyle Carr)
Bernadette Seacrest and Her Provocateurs The Filthy South Sessions
· Phish Festival 8 (10/31/09)
· Felt Felt 3: A Tribute to Rosie Perez
With a voice that promises everything, including maybe 20 years in the pen, vocalist/co-producer Bernadette Seacrest conjures a noir underbelly of a world on The Filthy South Sessions, with help from co-producers Charles Williams (guitars), who wrote all 12 tunes, Kris Dale (double bass, pedal steel) and guests. Williams’ steamy tangos, blues and rumbas don’t so much tell stories as sideswipe them (“I love you, but put down that gun”). “Babylon” recalls Leonard Cohen’s lyrical enigmas, and Seacrest delivers it with a seductive, Billie Holiday–esque plangency. Clearly, Seacrest knows what’s what and, deliciously, she’s in no hurry to explain it. (MM)
Launchpad’s Luis Mota
As talent-buyer and manager for not one, not two, but three venues—Launchpad, Low Spirits and Sunshine Theater—Luis Mota is constantly surrounded by music and/or music-related things. Below are the first five shuffled tracks that were floating around his music library.
Zomboy • electronic • Trampa • Xilent
The Sunshine Theater continues to bring Burque the best in post-contemporary jams when they welcome electro wizards Zomboy, Trampa and Xilent to town…
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?