Alibi V.18 No.53 • Dec 31-Jan 6, 2009 ››
The Next Decade of Sound
As the aughts are filed away in the annals of time, we look to the future and consider what’s to come in the next decade. What will it sound like?
Dirt City Archives
I Hear the Sadness Holler
Long before punks turned to Americana, local Hazeldine (née Blister) played the finest y’allternative music on bills with hard rockin’ Burque outfits like Elephant and the Drags. Hazeldine held its own. After an especially hot set you’d feel pleasantly washed-out, as if you’d just seen a raucous punk show.
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Flyer on the Wall
While many are doomed to stumble around pouring cheap Champagne all over their lumpy bodies while dodging falling ammunition, you have the opportunity to spend New Year’s Eve with some of the koolest and most artful Albuquerque citizens. The Scrams, A Hawk and a Hacksaw, Raven Chacon, Sorority and DJ Caterwaul perform Thursday, Dec. 31, at Wonderbread (1016 Coal SW). Festivities begin at 9 p.m. (Jessica Cassyle Carr)
As a graphic artist, animator, toast-lover and member of the Alibi’s art department, Jeff Drew is a man of many hats—metaphorically and literally. When he’s not making art or analyzing the quality of various Downtown sandwiches, he makes jams under the name Caribou Music. He also has an excellent personal playlist series entitled Found Objects. Below is a sample of Drew’s shuffled tunes.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?