Alibi V.19 No.13 • April 1-7, 2010 ››
This Band Is Your Band
Woody’s granddaughter Sarah Lee talks about the Guthrie family
On the phone, Sarah Lee Guthrie’s voice bubbles with cheer. The youngest daughter of Arlo Guthrie has been doing a lot of interviews because her father no longer will. Constantly talking to reporters, she says, makes her nervous, but she needs to get good at it one of these days.
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Flyer on the Wall
Milk, My Precious
We suspect this artist may also be responsible for the vintage Albuquerque postcard collage that ran two issues ago. The whimsy seen in the last flyer is mostly absent here. Instead there is a heavily burned and dodged sepia-toned image—what seems to be a photomontage—of an old man creepy-handedly pouring milk. Advertised is lauded German/English avant jazz trio Konk Pack, along with Turbanator 5K and Hedia. This performance takes place at The Kosmos (1715 Fifth Street NW) on Monday, April 5, at 7 p.m. Admission is $8. (Jessica Cassyle Carr)
The memories attached to Kevin R. Elder’s random selections
Kevin R. Elder has played bass in local bands such as Unit 7 Drain and I is for Ida. He is also the co-artistic director of Tricklock Company and often writes original music and lyrics for their plays. These are some random picks, along with the memories attached, that have helped shape him into the artist he is now.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.