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 Apr 8 - 14, 2010 
The girl can’t help it.

Spotlight

Gretchen Parlato: A Voice to Call Her Own

By Mel Minter

When vocalist Gretchen Parlato performs a song, she doesn’t so much inhabit it as become inhabited by it, living and breathing a musical and emotional life that is inseparable from the artist. Her singing is personal, and therefore it’s immediate and resonant—and because of that, apparently artless.

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Myles Boisen mylesboisen.com

Show Up!

Geek Glam

Zoe Boekbinder makes music for people who like to wear sequins to the library

By Summer Olsson

When I first heard Zoe Boekbinder’s beautiful Artichoke Perfume, I thought it sounded like the musical child of Jolie Holland and Joanna Newsom had joined the circus and made an album. Not only do other people compare her to Holland, Boekbinder (pronounced “Bookbinder”) lists the musician as an influence, too. But the Oakland-based Canadian is hesitant to label her sound.

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Luís Guerra and Amani Malaika

Jazzed

A Little More Experimental, a Little More Eclectic

Jazz, Deconstructed series explores jazz’ roots and branches

By Mel Minter

Jazz, Deconstructed, a new four-concert series, features local artists with visionary projects that stretch from New Orleans’ Congo Square to an electrocoustic jazz/hip-hop detente.

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Flyer on the Wall

Sexy Springtime

She beckons with her ... eyes. Also, her tetas. One of the best things about Atomic Cantina (315 Gold SW) is that there’s continuously been local art on the punk rock bar’s walls since it opened in May 2003. (Do we smell a birthday coming on?) Atomic’s not afraid to hang pop art, risqué or abstract, along with other beautiful and weird works by 505 faves. This month, drop by to see paintings by Christina Aristmuño, David Gatt, Megan Cronin, John Henry Hansen, Amanda Banker, Heather Cronin, Sunita Aristmuño, George Evans, Rodney Ibarra, Jay Smithline and Melinda Casey; photography by Crystal Sims, John Salazar and Nathan Paolinelli; ink work by Jeff Hayes; and mixed media by Kevin Hopper and Sharon Chang. (Marisa Demarco)

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Sonic Reducer

The Grateful Dead Crimson, White & Indigo · The Freak Out List, DVD

By Adam Perry

Despite the stereotypically cheesy cover art that will probably shoo away non-Deadheads (as usual), Crimson, White & Indigo (or “7/7/89”) includes a whole lot more than the mindless hippie drool suggested by the horrible ponytails worn by Mickey Hart, Bob Weir and Jerry Garcia at the time. Just one year before his fatal drug overdose, keyboardist Brent Mydland delivered an improvised monologue that was both uplifting and jarring during “Blow Away” and was really the MVP of this charged evening in Philly. The band also covered Willie Dixon, James “Sugar Boy” Crawford and Bob Dylan, and mesmerized the huge audience with its often-peaking space-folk, highlighted by poet Robert Hunter’s powerful lyrics in “Box of Rain” and “Wharf Rat.” Proof that the Dead were an impressively diverse and effectual band well after the ’60s.

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The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

By August March
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
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Are You Ready Kids?

TOKiMONSTA • electronic, hip-hop

By August March
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
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Sorry, Not Sorry

Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose

By August March
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?
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