Alibi V.19 No.14 • April 8-14, 2010 ››
Gretchen Parlato: A Voice to Call Her Own
When vocalist Gretchen Parlato performs a song, she doesn’t so much inhabit it as become inhabited by it, living and breathing a musical and emotional life that is inseparable from the artist. Her singing is personal, and therefore it’s immediate and resonant—and because of that, apparently artless.
Myles Boisen mylesboisen.com
Zoe Boekbinder makes music for people who like to wear sequins to the library
When I first heard Zoe Boekbinder’s beautiful Artichoke Perfume, I thought it sounded like the musical child of Jolie Holland and Joanna Newsom had joined the circus and made an album. Not only do other people compare her to Holland, Boekbinder (pronounced “Bookbinder”) lists the musician as an influence, too. But the Oakland-based Canadian is hesitant to label her sound.
A Little More Experimental, a Little More Eclectic
Jazz, Deconstructed series explores jazz’ roots and branches
Jazz, Deconstructed, a new four-concert series, features local artists with visionary projects that stretch from New Orleans’ Congo Square to an electrocoustic jazz/hip-hop detente.
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Flyer on the Wall
She beckons with her ... eyes. Also, her tetas. One of the best things about Atomic Cantina (315 Gold SW) is that there’s continuously been local art on the punk rock bar’s walls since it opened in May 2003. (Do we smell a birthday coming on?) Atomic’s not afraid to hang pop art, risqué or abstract, along with other beautiful and weird works by 505 faves. This month, drop by to see paintings by Christina Aristmuño, David Gatt, Megan Cronin, John Henry Hansen, Amanda Banker, Heather Cronin, Sunita Aristmuño, George Evans, Rodney Ibarra, Jay Smithline and Melinda Casey; photography by Crystal Sims, John Salazar and Nathan Paolinelli; ink work by Jeff Hayes; and mixed media by Kevin Hopper and Sharon Chang. (Marisa Demarco)
The Grateful Dead Crimson, White & Indigo
· The Freak Out List, DVD
Despite the stereotypically cheesy cover art that will probably shoo away non-Deadheads (as usual), Crimson, White & Indigo (or “7/7/89”) includes a whole lot more than the mindless hippie drool suggested by the horrible ponytails worn by Mickey Hart, Bob Weir and Jerry Garcia at the time. Just one year before his fatal drug overdose, keyboardist Brent Mydland delivered an improvised monologue that was both uplifting and jarring during “Blow Away” and was really the MVP of this charged evening in Philly. The band also covered Willie Dixon, James “Sugar Boy” Crawford and Bob Dylan, and mesmerized the huge audience with its often-peaking space-folk, highlighted by poet Robert Hunter’s powerful lyrics in “Box of Rain” and “Wharf Rat.” Proof that the Dead were an impressively diverse and effectual band well after the ’60s.
Courtesy of Victory Records
Reverend Horton Heat • rockabilly • Fishbone • Strung Out
Would you like to attend a “Psycho Strung Out Fish Fry?” Well, gentle readers, if such esoteric activities appeal to you, then please consider attending an awesome event with that very name at Burque's Sunshine Theater on Thursday, Sept. 21. In case you wanna know, the main participants in this far-out festival include legendary “county-fed punkabilly” roustabouts the Reverend Horton Heat, led by the charismatic and cray Jim Heath, the fellow credited with creating and cultivating the contemporary rockabilly sound on albums like Liquor in the Front and We Three Kings. Soulful ska scenesters Fishbone—whose 1994 epic effort Give a Monkey a Brain and He'll Swear He's the Center of the Universe is still on rotation at mi chante—plus OG Cali punk rockers Strung Out provide sonic support for this mad 13+ pre-fall fish party which begins at 7:30pm and costs but 22 clams.
Zomboy • electronic • Trampa • Xilent
The Sunshine Theater continues to bring Burque the best in post-contemporary jams when they welcome electro wizards Zomboy, Trampa and Xilent to town on Friday, Sept. 22. Zomboy, you may recall (if you're young enough to do just that) is a British dubstep dude whose 2011 debut set the stage for an excellent entrada into electronica that includes bouncy and beatific recordings like 2014's The Outbreak. Supporting the bill are Trampa, another Brit beat master, known for his anomalously aggressive take on the same genre and Xilent, a Polish fellow who works magic with dubstep, electro-house and drum and bass. So, go on kids, grab your Vicks Vaporub, plastic pacifier and rainbow colored toe-socks and head downtown for a 7:30pm dance party that coincidentally signals the beginning of fall. For only $20-25 and an ID that says you're 16+, you know you wanna.
Courtesy of the artist
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock, Launchpad, on Monday, Sept. 25. That's when the Chaos Rising tour hits Dirt City. Featured performers include Miss May I, Ice Nine Kills, Capsize, Lorna Shore and Westwind. I'm goddamn sure this show will totally fucking rock, but I tell you what: check it out and afterwards send me a text with some cool stickers or GIFs attached to let me know for sure. This 13+ emo extravaganza costs the average teenager $15 and it all begins at 8pm.