Gretchen Parlato: A Voice to Call Her Own
By Mel Minter
When vocalist Gretchen Parlato performs a song, she doesn’t so much inhabit it as become inhabited by it, living and breathing a musical and emotional life that is inseparable from the artist. Her singing is personal, and therefore it’s immediate and resonant—and because of that, apparently artless.
Myles Boisen mylesboisen.com
Zoe Boekbinder makes music for people who like to wear sequins to the library
By Summer Olsson
When I first heard Zoe Boekbinder’s beautiful Artichoke Perfume, I thought it sounded like the musical child of Jolie Holland and Joanna Newsom had joined the circus and made an album. Not only do other people compare her to Holland, Boekbinder (pronounced “Bookbinder”) lists the musician as an influence, too. But the Oakland-based Canadian is hesitant to label her sound.
A Little More Experimental, a Little More Eclectic
Jazz, Deconstructed series explores jazz’ roots and branches
By Mel Minter
Jazz, Deconstructed, a new four-concert series, features local artists with visionary projects that stretch from New Orleans’ Congo Square to an electrocoustic jazz/hip-hop detente.
Flyer on the Wall
She beckons with her ... eyes. Also, her tetas. One of the best things about Atomic Cantina (315 Gold SW) is that there’s continuously been local art on the punk rock bar’s walls since it opened in May 2003. (Do we smell a birthday coming on?) Atomic’s not afraid to hang pop art, risqué or abstract, along with other beautiful and weird works by 505 faves. This month, drop by to see paintings by Christina Aristmuño, David Gatt, Megan Cronin, John Henry Hansen, Amanda Banker, Heather Cronin, Sunita Aristmuño, George Evans, Rodney Ibarra, Jay Smithline and Melinda Casey; photography by Crystal Sims, John Salazar and Nathan Paolinelli; ink work by Jeff Hayes; and mixed media by Kevin Hopper and Sharon Chang. (Marisa Demarco)
The Grateful Dead Crimson, White & Indigo · The Freak Out List, DVD
By Adam Perry
Despite the stereotypically cheesy cover art that will probably shoo away non-Deadheads (as usual), Crimson, White & Indigo (or “7/7/89”) includes a whole lot more than the mindless hippie drool suggested by the horrible ponytails worn by Mickey Hart, Bob Weir and Jerry Garcia at the time. Just one year before his fatal drug overdose, keyboardist Brent Mydland delivered an improvised monologue that was both uplifting and jarring during “Blow Away” and was really the MVP of this charged evening in Philly. The band also covered Willie Dixon, James “Sugar Boy” Crawford and Bob Dylan, and mesmerized the huge audience with its often-peaking space-folk, highlighted by poet Robert Hunter’s powerful lyrics in “Box of Rain” and “Wharf Rat.” Proof that the Dead were an impressively diverse and effectual band well after the ’60s.
Danksgiving 2015 • Mondo Vibrations • Dre Z • Pocket Full Of Dub
By Maggie Grimason
Work up some post-Thanksgiving munchies or dance off your food guilt this week at Danksgiving 2015. Captaining the musically mind-expanding adventure will be the blazing reggae-rock of Mondo Vibrations. The talented pack of Burquenos is well-known in the downtown circuit of music venues and consists of Kenny Cernius (vocals/guitar), Shea Longi (bass), Kevin Sanchez (drums), James Sanchez (percussion), Mike Gerdes (guitar/synths) and Rick “Smirie” Gonzales (vocals/guitar/keys/melodica). Also on deck for the night will be the chill melodies of Dre Z, the stylings of Burque Sol and Pocket Full of Dub, to boot. Take your Friday night to a higher level for just $5 at Launchpad, where things will get lit at 9pm.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins for a gig at The Co-Op on Tuesday, Dec. 1. The project of Michael Orlando, VE! are proponents of a sick sound that craftily combines aspects of goth, industrial and horror punk into a smotheringly propulsive sonic experience that can be freaky and frightening or acutely alluring depending on the internal chemical composition of each of their millions of stunned listeners. Check out the video for “Drug of Choice” for further evidence of the outfit's crepuscular commitments. Arizona electro-popsters Consider Me Dead and “post-sci-fi hardcore” trio Set To Stun (from El Lay of course) open. This all ages show at an alcohol- and drug-free venue costs $13 and begins at 6pm.
Leftover Soul • vinyl soul dance party at Sister
Richmond Jazz Quartet at Corrales Bistro Brewery
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