Alibi V.19 No.15 • April 15-21, 2010 ››
Music to Your Ears
Girls Are Mad
I didn’t go to the show when The Ettes played at a free bar Downtown early last year. The Nashville-based band wasn’t on my radar anyhow, so I felt no regret about missing it ... until a week later when I finally opened the 12-inch record that a friend, knowing I would like it, had bought for me at the show as a souvenir. Bright yellow in color, the LP—2008’s London-recorded Look At Life Again Soon—contained 11 distortion-heavy, ’70s glam-tinged tracks of female-fronted rock and roll. Since then, that record—now a prized possession—has received heavy rotation by me at home and in public drinking establishments.
A Joyful Ceremony
Pianist Omar Sosa’s Afreecanos Quartet communes with the spirits
Cuban pianist, marimbist and composer Omar Sosa plays up and down the tree of music, sounding its deepest African roots and the greenest buds in its ever-spreading canopy. Every note summons listeners to a joyful ceremony of communion.
Dirt City Archives
Having a Ball
The psych-pop of UV Transmission
Have you ever walked into a bar intimidated by the row of hogs and Harleys parked out front? Wondered about the reception you’d get from the bikers partying down inside? It wasn’t quite that way with the dozen Vespa, Lambretta and Velocette knockoffs lining the sidewalk in front of the Fabulous Dingo Bar (now Burt’s Tiki Lounge) when UV Transmission was headlining. Rather than wielding chains and wearing leathers, these riders sported one-button blazers, Cuban heel boots and M65 parkas with the Royal Air Force insignia on the back. The crowd was there not to pogo or mosh (thankfully!) but to dance.
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Flyer on the Wall
The scary little people hidden in the trees want to you know that Monday, April 19, sees performances of animal-sound music and different forms of drone by Infinite Body, EARN, Lab Rat and Postcommodity. The show begins at 8 p.m. at Thundermind Corrective, and for $5 you might find out what “intense loud doom drone” means. (Jessica Cassyle Carr)
Ben Goldberg Go Home
· Rufus Reid Out Front
· Tin Hat Foreign Legion
Ben Goldberg packs a lot of music in his clarinet case—including jazz, Ashkenazi roots music and chamber music. His latest combo features musicians with unfettered imaginations willing to roam the entire musical landscape: Ron Miles (cornet, G trumpet), Charlie Hunter (seven-string guitar) and Scott Amendola (drums). Together, they create something approaching a jazzy, groove-based klezmer blues—or maybe it’s just Southern rock all growed up and moved to the big city. The 10 Goldberg compositions (with help from brother Ethan on one) move smoothly from lyrical composed passages to disciplined but adventurous improvisations. Hunter is clearly the oddest and most indispensable part of the combo, supplying a fierce rawness in the upper registers and coherent bass lines simultaneously. The four live tracks add special piquancy to this tasty brew.
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band. You'll need to be 21+ and cough up $10 at the door, but that should be worth it to know that you've helped out a few local dogs in need.
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter. Rooted in post-industrial and darkwave, but gleaning inspiration from the vocal melodicism of ‘80s new wave, Technophobia layers the most unlikely sounds to create the perfect oxymoron: ominous music that you can’t help but dance to. Opening performances will feature the psychedelic and nearly ineffable “gothic wizard rock” of local favorite Austin Morrell, the experimental lo-fi pop of Monogamy and the mystical Mala in Se, so arrive as close to the 8pm opening as you can to get the most out of this totally free show.
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans. Whether this description intrigues, confuses or titillates your sensibilities, it is doubtless that their performance will leave you with a great story and a gleaming smile. The thrilling black-magic synths of local Sleepdepth (also known by the much more sorcerous title Somno Profundante) will set the stage and the mood by contrast. Buy your tickets in advance to save $2 off the already bargain price of $10, and come along for the fun when the show starts at 7pm.