Review by Adam Perry
Sam Cutler You Can't Always Get What You Want: My Life With the Rolling Stones, the Grateful Dead and Other Wonderful Reprobates (Random House)
In his autobiography, Sam Cutler—tour manager for The Rolling Stones and the Grateful Dead in their raucous heydays—seems coy about the path his life took after splitting with the Dead about 35 years ago. But it’s obvious that a lengthy hangover must’ve ensued. From snorting cocaine with Janis Joplin to dropping acid with Jimi Hendrix to chugging Southern Comfort with the Dead’s Ron “Pigpen” McKernan, Cutler spent his time as “rock ‘n’ roll nanny” in the company of some seriously self-centered and out-of-control stars, nearly matching their risky behavior and living to tell the tale. Just be careful—you may not be a fan of some of your favorite classic rockers after reading this.
A musical installation gently leads audiences down the garden path
By Summer Olsson
Garden is a three chapter series of performances, incorporating live music and video projection, exploring themes of night, place and the intersection of humans with their environment. Albuquerque music lovers can catch chapter one, “Night,” this weekend. Chris Jonas, the Santa Fe-based composer and multimedia artist behind Garden, hopes to give audiences a richer, more layered experience than a standard concert would. Meshing music with art installation, he’s working with different musicians and artists for each piece of his trilogy.
Cowboys Are My Weakness
A night of disparate local Americana
By Captain America
Years ago Kate Mann traded her New Mexico home for Portland, Ore. She’s just returned to Taos, guitar in hand, packing a songbook full of brilliant lyrics and discreet melody. Often backed by a rotating cast of musicians known as the Calamities, this week Kate plays her welcome-home set as a solo.
Compelling Compositions and Playful Puzzles
Guitarist Ila Cantor's trio finds new routes to familiar destinations
By Mel Minter
Listening to the variety of compositions penned by guitarist Ila Cantor, you get the sense that she is as comfortable in Brooklyn’s new music scene as she would have been filling in for Charlie Christian at Minton’s, that Manhattan crucible of bebop, in the ’40s. Then again, she might have been equally at home subbing for Barry Melton, Country Joe and the Fish’s lead guitarist, at San Francisco’s Fillmore in ’67.
Flyer on the Wall
Willy J and the Storytellers CD Release Show
Despite having a name that might suggest Americana, Willy J and the Storytellers plays lively and cathartic alternative rock, and the members cite acts like Pearl Jam, Incubus, Rage Against the Machine and Oasis as influences—smells like '90s revival. The band’s front man, a shaggy-haired painter from Montana by way of Tennessee, says the name suits the quartet. "Our songs are stories,” says Willy J, “and the songs I like the most are the ones that do have a story behind them." Find out what it's all about on Friday, May 7, at Low Spirits when the band releases its first album, Chopping Trees. Listen and find out more on alibi.com. (Jessica Cassyle Carr)
David Hevener of Gnossurrus
By Jessica Cassyle Carr
David Hevener is a preschool teacher and the guitarist, vocalist and mystic rattle player for Santa Fe’s Gnossurrus. The robe-cloaked mystic-prophecy metal band is releasing its first album, Beast of Destiny, this Saturday at Burt’s. To get a feel for some of Gnossurrus’ inspiration, take a look-see at five random tracks from Hevener’s collection.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar, on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hip-hop. He's has worked with Flying Lotus, Kendrick Lamar, Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folk lore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ole music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before it's 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Lemuria • indie, punk • Cayetana • Mikey Erg • acoustic, pop punk at Sunshine Theater
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