Review by Adam Perry
Sam Cutler You Can't Always Get What You Want: My Life With the Rolling Stones, the Grateful Dead and Other Wonderful Reprobates (Random House)
In his autobiography, Sam Cutler—tour manager for The Rolling Stones and the Grateful Dead in their raucous heydays—seems coy about the path his life took after splitting with the Dead about 35 years ago. But it’s obvious that a lengthy hangover must’ve ensued. From snorting cocaine with Janis Joplin to dropping acid with Jimi Hendrix to chugging Southern Comfort with the Dead’s Ron “Pigpen” McKernan, Cutler spent his time as “rock ‘n’ roll nanny” in the company of some seriously self-centered and out-of-control stars, nearly matching their risky behavior and living to tell the tale. Just be careful—you may not be a fan of some of your favorite classic rockers after reading this.
A musical installation gently leads audiences down the garden path
By Summer Olsson
Garden is a three chapter series of performances, incorporating live music and video projection, exploring themes of night, place and the intersection of humans with their environment. Albuquerque music lovers can catch chapter one, “Night,” this weekend. Chris Jonas, the Santa Fe-based composer and multimedia artist behind Garden, hopes to give audiences a richer, more layered experience than a standard concert would. Meshing music with art installation, he’s working with different musicians and artists for each piece of his trilogy.
Cowboys Are My Weakness
A night of disparate local Americana
By Captain America
Years ago Kate Mann traded her New Mexico home for Portland, Ore. She’s just returned to Taos, guitar in hand, packing a songbook full of brilliant lyrics and discreet melody. Often backed by a rotating cast of musicians known as the Calamities, this week Kate plays her welcome-home set as a solo.
Compelling Compositions and Playful Puzzles
Guitarist Ila Cantor's trio finds new routes to familiar destinations
By Mel Minter
Listening to the variety of compositions penned by guitarist Ila Cantor, you get the sense that she is as comfortable in Brooklyn’s new music scene as she would have been filling in for Charlie Christian at Minton’s, that Manhattan crucible of bebop, in the ’40s. Then again, she might have been equally at home subbing for Barry Melton, Country Joe and the Fish’s lead guitarist, at San Francisco’s Fillmore in ’67.
Flyer on the Wall
Willy J and the Storytellers CD Release Show
Despite having a name that might suggest Americana, Willy J and the Storytellers plays lively and cathartic alternative rock, and the members cite acts like Pearl Jam, Incubus, Rage Against the Machine and Oasis as influences—smells like '90s revival. The band’s front man, a shaggy-haired painter from Montana by way of Tennessee, says the name suits the quartet. "Our songs are stories,” says Willy J, “and the songs I like the most are the ones that do have a story behind them." Find out what it's all about on Friday, May 7, at Low Spirits when the band releases its first album, Chopping Trees. Listen and find out more on alibi.com. (Jessica Cassyle Carr)
David Hevener of Gnossurrus
By Jessica Cassyle Carr
David Hevener is a preschool teacher and the guitarist, vocalist and mystic rattle player for Santa Fe’s Gnossurrus. The robe-cloaked mystic-prophecy metal band is releasing its first album, Beast of Destiny, this Saturday at Burt’s. To get a feel for some of Gnossurrus’ inspiration, take a look-see at five random tracks from Hevener’s collection.
Castle • metal • Shoggoth • metal • SuperGiant • stoner rock • Jagged Mouth • metal
By Megan Reneau
Aleister Crowley nor George W. Bush will be around (maybe) but prepare to sharpen your horns and do some bidding for some badass folks that definitely aren't involved in the occult—the doom metal trio Castle enchants locals at the Launchpad this Saturday, March 4, with the doors to the underworld opening at 8pm. Joining the '70s heavy metal-esque group will be Burque inhabitants Shoggoth, SuperGiant and Jagged Mouth. Only vessels 21+ for this $8 show allowed.
Gaby Fuentes • Regulus • Tear Pressure • indie pop, punk
By August March
An up and coming local band I have been enjoying listening to is named Tear Pressure. I found out about them when I was wandering the local college campus and saw a flyer for a show they were doing at some apartment complex up on Copper in the Heights, yo. That was a decent show with an excellent barbeque and I felt like Tear Pressure was going to appear on the scene within the year. Now of course, they are playing their dirty and delicious, slithery and subtle no wave at Burt's Tiki Lounge on Monday, March 6, and as usual at Burt's there is no goddamn cover charge. Ever. I hear some daring lo-fi pop credentials being built on tunes from the band's latest recording, the Chill Ass EP—songs like “Quaaludes” and “All Moms Are Weirdos” that build intensity as they roll through cray melodic and stylistic changes. They'll be opening for math mastermind and CRTTRZ guitarist Gabriel Angel Fuentes and Austin indie taco-rockers Regulus, so be there.
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