Pomp and Circumstance
MarchFourth is not your nerdy high school marching band
By Summer Olsson
“In terms of vibe, we're all about seizing the moment, and no two shows are ever exactly alike. We establish a connection with the audience and see where it goes from there.”
Flyer on the Wall
A Man of Many Animal Hats
You just can’t argue with animal hats. Especially kitten hats wearing hats. Get in on the fun Friday, June 4, from 5 to 8:30 p.m. at OFFCenter (808 Park SW) where you can see a performance by JASPER, “a three piece rock n roots band,” while enjoying art, coffee and refreshments. We can assume this free event is all-ages in nature. (Jessica Cassyle Carr)
Pete Francis The Movie We Are In · Sugar & Gold Get Wet! · The Love Language Libraries
The second release from North Carolina’s The Love Language sounds like lo-fi, effects-laden ’60s pop guided by crooning vocals. Many of the songs embody bubblegumish whimsy with an underlying creepiness—on “Horophones,” Stuart McLamb sweetly sings, “If all good children go to heaven then all good children die.” Meanwhile, other songs are mere acoustic ballads that eventually sweep into compositions of shoegaze proportion. If you only pick one track to download (because CDs are old hat, right?), go for the upbeat melancholy of “Brittany’s Back.” (JCC)
Good as Dead’s Sam Blankenship
By Jessica Cassyle Carr
Good as Dead is an Albuquerque band that's been rocking for what’s nearing a decade. But in May, the group raked in three new honors at the New Mexico Music Awards for its 2009 album Learn to Swim (get your hands on the disc at cdbaby.com). To find out a little more about the musical leanings of this award-winning band, we asked drummer Sam Blankenship to shuffle his iPod to see what random items came up. Below are the “goofy” results.
T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda
By August March
Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
Kurt Travis • alternative rock • Eidola • Amarrionette
By Megan Reneau
I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk
By August March
I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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