Alibi V.19 No.26 • July 1-7, 2010 

Aural Fixation

Yankee Doodle Dandy,” perhaps the sassiest of all classic patriotic American tunes, is thought to have been written in mid-18th-century Europe, possibly during the Seven Years’ War. Though its exact origin is unclear, the song was a British invention and was used to deride American Colonists and their ragtag army. The most recognizable verse (there are nearly 200) is not seen in this sheet music: “Yankee Doodle went to town / Upon a little pony / Stuck a feather in his cap / And called it Macaroni"—nonsense on the surface, this verse is actually a snobby insult to pastoral Colonial fashion (a Macaroni was a traveled, upper-class European who wore extravagant wigs). In the American tradition of taking things that don’t belong to us, “Yankee Doodle Dandy” was reclaimed by the disheveled patriots and became a source of Colonial pride. And, as we all know, in the end the garishly dressed Americans defeated the pretentious and dimwitted red coats whose flamboyant uniforms made them easy targets. U.S.A.! (Jessica Cassyle Carr)

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Peter Case knows what song’s on the B-side.
Ann Summa

Music Interview

Wig Out!

Power pop turns folkie—a chat with Peter Case

In 1975 Jack Lee, Paul Collins and Peter Case formed the short-lived but influential power pop group The Nerves. Most notably, the band is responsible for the classic track "Hanging on the Telephone," later made famous by Blondie. The group also had a hand in founding the West Coast punk scene—but just as the cultural explosion got its footing in L.A., The Nerves split in 1978. Collins and Case formed The Breakaways, and Lee went solo. Case went on to find success as the frontman for The Plimsouls, but by the mid-’80s that band dissolved and Case returned to his solo roots.

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[click to enlarge]

Flyer on the Wall

Psychedelic Hoedown

“Listen, Bob, I don’t have time to talk about the memo—I’m up to my flank in plastic army men right now.” A combination of discount wallpaper, highly effective business practices and possibly the artist’s bad acid trip make this an intriguing work of photo montage. More intriguing is the idiosyncratic show it notes— Grand Canyon, Shoulder Voices and The Booty Green—at Atomic Cantina (315 Gold SW) on Saturday, July 3, beginning at around 10 p.m. The show is free for the 21-and-over crowd. (Jessica Cassyle Carr)

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Sonic Reducer

Piñata Protest Plethora · Panda Riot Far and Near · Matt Perrine & Sunflower City Bayou Road Suite

Mixing punk with Mexican border music is nothing new. Joe “King” Carrasco hit it big on the frat-boy circuit with nuevo wave-o Tex-Mex party songs that ultimately tasted like watery horchata. Tired of Black Flag copycats but not the energy, San Antonio native Álvaro del Norte reclaimed the corridos he rejected as a child to study under Texas accordion maestro Juan Tejeda. Now his band, Piñata Protest, serves a steaming pot of caldo de res with beefy punk riffs and greasy accordion marrow—the tastiest Norteño/rock recipe to date. Be sure you save your last bit of tortilla to wipe the bowl clean. (CA)

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Courtesy of Victory Records

EVENT HORIZON ()

Horton Hears a Fishbone While Strung Out

Reverend Horton Heat • rockabilly • Fishbone • Strung Out

Would you like to attend a “Psycho Strung Out Fish Fry?” Well, gentle readers, if such esoteric activities appeal to you, then please consider attending an awesome event with that very name at Burque's Sunshine Theater on Thursday, Sept. 21. In case you wanna know, the main participants in this far-out festival include legendary “county-fed punkabilly” roustabouts the Reverend Horton Heat, led by the charismatic and cray Jim Heath, the fellow credited with creating and cultivating the contemporary rockabilly sound on albums like Liquor in the Front and We Three Kings. Soulful ska scenesters Fishbone—whose 1994 epic effort Give a Monkey a Brain and He'll Swear He's the Center of the Universe is still on rotation at mi chante—plus OG Cali punk rockers Strung Out provide sonic support for this mad 13+ pre-fall fish party which begins at 7:30pm and costs but 22 clams.
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Zomboy to the Rescue!

Zomboy • electronic • Trampa • Xilent

The Sunshine Theater continues to bring Burque the best in post-contemporary jams when they welcome electro wizards Zomboy, Trampa and Xilent to town on Friday, Sept. 22. Zomboy, you may recall (if you're young enough to do just that) is a British dubstep dude whose 2011 debut set the stage for an excellent entrada into electronica that includes bouncy and beatific recordings like 2014's The Outbreak. Supporting the bill are Trampa, another Brit beat master, known for his anomalously aggressive take on the same genre and Xilent, a Polish fellow who works magic with dubstep, electro-house and drum and bass. So, go on kids, grab your Vicks Vaporub, plastic pacifier and rainbow colored toe-socks and head downtown for a 7:30pm dance party that coincidentally signals the beginning of fall. For only $20-$25 and an ID that says you're 16+, you know you wanna.
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The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock, Launchpad, on Monday, Sept. 25. That's when the Chaos Rising tour hits Dirt City. Featured performers include Miss May I, Ice Nine Kills, Capsize, Lorna Shore and Westwind. I'm goddamn sure this show will totally fucking rock, but I tell you what: check it out and afterwards send me a text with some cool stickers or GIFs attached to let me know for sure. This 13+ emo extravaganza costs the average teenager $15 and it all begins at 8pm.
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