Alibi V.19 No.26 • July 1-7, 2010 ››
“Yankee Doodle Dandy,” perhaps the sassiest of all classic patriotic American tunes, is thought to have been written in mid-18th-century Europe, possibly during the Seven Years’ War. Though its exact origin is unclear, the song was a British invention and was used to deride American Colonists and their ragtag army. The most recognizable verse (there are nearly 200) is not seen in this sheet music: “Yankee Doodle went to town / Upon a little pony / Stuck a feather in his cap / And called it Macaroni"—nonsense on the surface, this verse is actually a snobby insult to pastoral Colonial fashion (a Macaroni was a traveled, upper-class European who wore extravagant wigs). In the American tradition of taking things that don’t belong to us, “Yankee Doodle Dandy” was reclaimed by the disheveled patriots and became a source of Colonial pride. And, as we all know, in the end the garishly dressed Americans defeated the pretentious and dimwitted red coats whose flamboyant uniforms made them easy targets. U.S.A.! (Jessica Cassyle Carr)
Power pop turns folkie—a chat with Peter Case
In 1975 Jack Lee, Paul Collins and Peter Case formed the short-lived but influential power pop group The Nerves. Most notably, the band is responsible for the classic track "Hanging on the Telephone," later made famous by Blondie. The group also had a hand in founding the West Coast punk scene—but just as the cultural explosion got its footing in L.A., The Nerves split in 1978. Collins and Case formed The Breakaways, and Lee went solo. Case went on to find success as the frontman for The Plimsouls, but by the mid-’80s that band dissolved and Case returned to his solo roots.
[click to enlarge]
Flyer on the Wall
“Listen, Bob, I don’t have time to talk about the memo—I’m up to my flank in plastic army men right now.” A combination of discount wallpaper, highly effective business practices and possibly the artist’s bad acid trip make this an intriguing work of photo montage. More intriguing is the idiosyncratic show it notes— Grand Canyon, Shoulder Voices and The Booty Green—at Atomic Cantina (315 Gold SW) on Saturday, July 3, beginning at around 10 p.m. The show is free for the 21-and-over crowd. (Jessica Cassyle Carr)
Mixing punk with Mexican border music is nothing new. Joe “King” Carrasco hit it big on the frat-boy circuit with nuevo wave-o Tex-Mex party songs that ultimately tasted like watery horchata. Tired of Black Flag copycats but not the energy, San Antonio native Álvaro del Norte reclaimed the corridos he rejected as a child to study under Texas accordion maestro Juan Tejeda. Now his band, Piñata Protest, serves a steaming pot of caldo de res with beefy punk riffs and greasy accordion marrow—the tastiest Norteño/rock recipe to date. Be sure you save your last bit of tortilla to wipe the bowl clean. (CA)
Ugly Sweater Party • DJ Young Native • electronica, hip-hop
Don your finest ugly holiday sweater, or show up ready to purchase one this Thursday, Dec. 21, at Marble's Westside Tap Room. There are very few times during the calendar year where we can reasonably embrace bells, snowmen, glitter and bows on our clothing. Don't miss out on the Ugly Sweater Party of all things tacky—it's as easy as showing up at the bar off Unser anytime after 7pm. DJ Young Native will be playing all your favorite `80s and holiday tunes, and the whole shebang is free.
Courtesy 1990s rave archives, 6AM Group
I Love the 90's • dance party
I love the '90s. Well, not as much as I love the '80s. Then there's the '70s to reckon with. I sorta remember the '60s, those were pretty exciting too, especially the end bits, after the summer of love, yo. But, if you're like me, music of the '90s is totally worth listening to over and over, particularly the grand cultural treasure trove of tuneage that came into being after the elfin guitar god from the north woods passed into enternity in April 1994. The music that was made to dance to back then, guess what? You can still dance to it; the stuff's been miraculously preserved in some kinda digital medium and you can shake you booty to exactly that on the evening Friday, Dec. 22. Prepare yourself for an aural onslaught featuring the likes of Tone-Loc, Mariah Carey, Brittney Spears and Vanilla Ice. They'll all be righteously represented at the I Love the '90s Video Music Dance Party happening Downtown at the Sunshine Theater, so dig out some Funky Cold Medina and leave your cell phone at home (because, they didn't like really have those until1998, amirite?) for a night of reflection on what the past 27 years have wrought. $10 for entry and 18+ to dance, 21+ to drink and dance.
Photo on VisualHunt / Public Domain Dedication
, CC0 1.0 Universal (CC0 1.0)
MIXXD • Ana M • house, g-house, tech house, techno, UK garage, minimal • BadCats
MIXXD is a loosely organized yet totally groovy collective of electro-wizards, multiverse mixers and tuned-in turntableists. They occasionally get together in Albuquerque clubs in order to toss glittery music dust, cray incantations and heady, extravehicular space explorations via vinyl and tape into a world that absolutely needs rhythm in order to survive the mundane purity of everyday life. This iteration of a trance and/or dance inducing solution to your holiday tribulations, a bright bauble of a thing called NM LOVE MIX WINTER is available for consumption on Saturday, Dec. 23, and features the following DJs: BadCat (Jennifer Highfield Castro), Ana M (Ana Martinez), Liminal Spaces (Máté Fischer) and H.P. Dubcraft (Hank Padilla) at Sister. Being there will mean giving in to your highest holiday hankerings, so what the heck, live a little! Free before 10pm, $5 after 10pm. 21+.