Alibi V.19 No.29 • July 22-28, 2010 ››
Rabid and Contagious
The Big Takeover turns 30
For 30 years, Jack Rabid has been our most passionate, intelligent and informed music writer bar none. Others have been more gonzo (Lester Bangs, Creem), more academic (Greil Marcus, Rolling Stone) or carried a bigger punk rock sneer (Kickboy Face, Slash), but Rabid has heart. His long-running fanzine-turned-slick-mag The Big Takeover is, in fact, subtitled “Music With Heart.”
Seitan, Not Satan
Roñoso releases a record
Some people just get it wrong. If the boys of Roñoso were walking down the street, mothers would pitch their babies into traffic before exposing them to the gnarly dreadlocks and general scruffiness of Greg (bass, vocals), Miles (guitar, vocals) and Mike (drums). I don’t want to blow their cover, but despite gutwrenching vocals and heavy crustcore music, the three are some of the nicest guys you’ll ever meet. Time and again I’ve seen Roñoso volunteer for the sacrificial opening slot so touring bands can play to the larger late-arriving crowd.
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Flyer on the Wall
Do the Kurt Russell
Kurt Russell is Snake in John Carpenter’s early ’80s dystopian portrayal of 1997, Escape From New York. Mods dance before a psychedelic background below him. What it all means is unclear. The facts are this: On Wednesday, July 28, at 8 p.m. lo-fi electro synthpop band The Gatherers releases an album titled Kurt Russell. Opening for the Burque band are Portland, Ore. electro acts Fleshtone and Prizm (learn more about the latter in this week’s Song Roulette). The all-ages show happens at The Kosmos (1715 Fifth Street NW). Admission is $5. (Jessica Cassyle Carr)
Prizm is an electro fantasy trio from Portland, Ore., inspired by prog, krautrock and other synth-heavy ’70s creations. Its show combines sound design and a collage of projections, conjuring otherly realms. Along with Fleshtone, an electronic collaborative also from Portland, the group opens for The Gatherers’ album release at The Kosmos (1715 Fifth Street NW) on Wednesday, July 28, at 8 p.m. Admission for the all-ages show is $5. Find out what’s refracted in Kim, Jef and Azmo’s music library through these five randomly selected tracks.
Grupo Fantasma El Existential
· Daniel Francis Doyle We Bet Our Money On You
· The Whispering Tree Go Call the Captain
Austin-based Daniel Francis Doyle is a one-man hurricane, crooning, whining and roaring his way into your heart. The emotional riot We Bet Our Money On You is two parts DIY punk, one part math geek’s basement project. He uses carefully layered guitar from a Line 6 loop box and crashing drums to support his vocal experimenting. The way he holds vowels, randomly changes pitch or suddenly yells at the top of his lungs—all over increasingly violent percussion—is playful weirdness. Sometimes the music is jarring, but Doyle’s voice has an undercurrent of raw honesty that streaks the songs with softness.
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
Courtesy of Reighnbeau
Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.