Thomas Edison intended the phonograph for political speeches and commerce, not frivolous music. Darryl McDaniels (of Run DMC) adores lightweight chanteuse Sarah McLachlan. Experimental noise is influenced by pop music even if just to rebel against it.
Americana is an umbrella term for roots-based musics native to the states, such as country and Western, bluegrass and folk. Despite vast differences, Americana acts tend to join forces, creating juxtaposed yet cohesive shows. It wouldn’t be unusual to find truck-driving country, indie follk and Emmet Otter’s Jug Band all cozying up under one roof. The appeal—be it pastoral, nostalgic or simply unplugged—crosses demographics, too. The music is usually suitable for grandpas, babies, and everyone in between in almost any kind of venue.
It appears as though a male student from the class of '88 created this masterwork on the back of a Mead college-ruled notebook during study hall, having been inspired by the bulbous typeface and cartoonish guts seen on Garbage Pail Kids trading cards. Corresponding with the imagery, this flyer signifies the performance of noisy, dark, devil music by Pigeon Religion, Hell-Kite, Butt Pussy and Acryptical. The show happens at UnGrind Cafe (1016 Coal SW) at 8:30 p.m. Five dollars gets you into the all-ages (duh) show. (Jessica Cassyle Carr)
The Saltine Ramblers’ Cory Minefee shuffles us some tracks
By Jessica Cassyle Carr
Cory Minefee is a vocalist and electric guitar player for bluegrass-oriented alt. country band The Saltine Ramblers. On Friday the group releases its first proper studio recording, Arroyo Borealis. What kinds of things does Minefee listen to? See the five shuffled tracks below.
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.