Alibi V.19 No.34 • Aug 26-Sept 1, 2010 ››
Better Than Your Friend’s Basement
The Parson Red Heads on showmanship and style
At performances by The Parson Red Heads, audiences can expect upbeat, folksy, multi-harmony rock and roll with psychedelic traces, and, most likely, special treatment. It is a major concern of the band’s to make sure you get your money’s worth and possibly participate in the show.
Diary of a Mod Man
DJ Matty discusses his favorite Louisiana music
By day, Matt Uhlman creates dramatic replicas of flaming swords and bloody severed heads as prop master for the New Orleans Opera—one of, if not the oldest opera in the U.S. By night, when not playing guitar with his garage punk band the Royal Pendletons, Matty can be found in any number of bars making people dance to selections from his vast record collection. He co-hosts both the Alligator Chomp! Chomp!, which specializes in Louisiana music, and the Mod Dance Party, an evening of ’60s worship that this week celebrates 10 years of hot and sweaty all-nighters.
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Flyer on the Wall
Summer Lovin’ Happened So Fast
This summer, bestie bands Little Gold (country psych from New York) and Lovey Dovies (hardcore pop from New Orleans) are on tour together. See them play on Monday, Aug. 30, at Burt’s Tiki Lounge (313 Gold SW) with local Lake Of Wire—read the pick in this week’s calendars for more. The free show begins at 9 p.m. (Jessica Cassyle Carr)
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?