By Captain America
Electronic music has come a long way since Thaddeus Cahill began work on an electromechanical instrument, the Telharmonium, in 1898. Ferruccio Busoni in 1907 predicted electrical impulses as the basis for modern music. Luigi Russolo gave noise concerts as early as 1914. One can only imagine the grave-spinning disappointment of these visionaries when the synthesized bleats of disco or the now naïve sounds of such LPs as 1968’s Switched On Bach came about.
The Bird Is the Word
The Tierney Sutton Band finds the mystic in the Great American Songbook
By Mel Minter
Gender has nothing to do with cojones. Anybody can have them. Two-time Grammy-nominated vocalist Tierney Sutton has ’em. That’s how she explains her performance of “It’s Only a Paper Moon,” the opening track of her latest, excellent recording, Desire.
Flyer on the Wall
Friend of the Devil
On Friday local bluegrass favorite The Saltine Ramblers will express its love for drug-addled hippies and extended guitar solos in a Halloween tribute set as the Grateful Dead. Also appearing is Zoë Fitzgerald, the time-travelling transvestite—glam rock alter ego of Santa Fe musician Joe West. Los Angeles old-time band Triple Chicken Foot opens (as itself, we assume). The 21-and-over show starts at 9 p.m. and unfolds at the Moonlight Lounge (120 Central SW). Artwork by Christoph Knerr. (Jessica Cassyle Carr)
Random tracks from Diego E. Montoya, fearless Alibi intern
Diego E. Montoya is a UNM student and Alibi editorial intern. He has a strong affinity for New Mexican music, which he exhibits on some days with sharp boots and a cowboy hat. However, he’s also a fan of the punk rock and has put an interesting spin on this week’s column—all random selections from a Warped Tour playlist. Below you’ll find no accordions, no polka beats and no mustaches.
By Diego E. Montoya
The Set-Up, the second record from Memphis trio The City Champs, conjures a funky, instrumental, Mid-South-style jazz sound. Hammond organ takes the lead, while guitar and drums provide complementary rhythm. Almost every track runs more than four minutes long but keeps the listener captivated with a jam-session-like flow. The album blends fast- and slow-tempos, mixing boogaloo and Stax-influenced soul jazz.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar, on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hip-hop. He's has worked with Flying Lotus, Kendrick Lamar, Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folk lore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ole music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before it's 2017 iteration comes around on June 3, 2017. Tickets are $5.
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