Alibi V.19 No.47 • Nov 25-Dec 1, 2010 
He’s coming down your chimney tonight.

Aural Fixation

It’s Elvis Time

How The King’s Christmas album saves my sanity

Say what you like about Elvis—culture thief; sad, boozy drug addict; cheese sandwich—but the man had a voice that could soothe volcanoes, particularly the volcano that is my head during the 29 days between Thanksgiving and Christmas. This is a time when every single store in the country, from Nordstrom to 7-Eleven, feels obligated to play Christmas music. And it’s not even the good stuff. As far as I can tell, no one except little kids enjoys hearing syrupy, cutesy “Jingle Bell Rock” played ad nauseam. Last year I made an obnoxious and totally doomed pledge to not shop anywhere Christmas music was playing. I should have stocked up on groceries in October.

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Coffin Break

Autopsy "The Tomb Within" (Peaceville, 2010)

Old-skool in tha house! When it comes to classic grind, no one did a more Fangora-worthy job back in the day than Autopsy. There were equals, forebearers and even bands like Napalm Death, Carcass, Cannibal Corpse and Suffocation that eclipsed the California trio both technically and stylistically, but in terms of unabashed bloody gore fests, no one pulled it off time and time again with Autopsy’s sublime dedication to good old-fashioned splatter.

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Ravi Coltrane studies the ways opposites coalesce.
Michael Weintrob

Jazzed

A Spiritual Wallop

Ravi Coltrane’s quartet ascends to improvisational heaven

The title of saxophonist Ravi Coltrane’s most recent album, Blending Times (Savoy Jazz), released in 2009, works on two levels. First, harking back to a track of the same title on his previous album, In Flux (Savoy Jazz), it refers to the simultaneous blending of time signatures in a composition. Second, it refers to two distinct time periods in both Coltrane’s personal life and the recording of Blending Times. Those periods are divided by a cataclysmic event: the death of his mother, Alice Coltrane, musician, composer and spiritual leader, on Jan. 12, 2007.

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[click to enlarge]

Flyer on the Wall

Uncle Che

Taking a break from the T-shirts of marijuana-steeped college students, socialist icon Ernesto “Che” Guevara calls on New Mexico denizens to do their duty in service to rock music on Saturday, Nov. 27, at Hallenbrick Brewery (3817 Hawkins NE). The Dregz plays from 7 to 10 p.m. and the show is free. (Jessica Cassyle Carr)

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Song Roulette

Michael Henningsen phucking hates Phish

Michael Henningsen has played in many a band—Bad Touch Uncle, The Strawberry Zots, Young Edward. He now plays in the David Kurtz Band, and will soon reunite with the Ant Farmers for a reunion show at Low Spirits on Dec. 4. Henningsen was also the Alibi’s editor-in-chief and music editor for a million years. As of this month, he’s back writing about scary black metal in a column called Coffin Break (see the second edition in this week’s issue). Below are random selections from his music collection.

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Courtesy of 6am Group Rave Archive

EVENT HORIZON ()

Show and Tell

Show & Tell • Preschool For Adults • variety

Ah, the safety of childhood. For at least some of us the early years were not as fraught and demanding as the adult world. There was plenty of time to pretend, explore and grow. Contrariwise there's hardly enough time after the age of majority occurs to keep track of the adventures, much less make sure that they are wholesome, fun and embrace the sense of safety and freedom that some kids grow up on. Well, the news is that on Tuesday, Jan. 30, you can have a little bit of that childhood innocence back (but not all of it; nobody knows any 10-year-olds with tattoos and a proclivity for horrorcore and Jaegermeister, after all) by participating in Show and Tell: Preschool for Adults. It's be happening Downtown at one of our city's most comfortable and convenient nightspots, so feel free to dress down in your jammies, just like you do when headed for Walmart. JK. This awesome night of childishly fun yet seriously adult indulgences is free and begins at 8pm, Moonlight Lounge.
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