It’s Elvis Time
How The King’s Christmas album saves my sanity
By Fête Holiday
Say what you like about Elvis—culture thief; sad, boozy drug addict; cheese sandwich—but the man had a voice that could soothe volcanoes, particularly the volcano that is my head during the 29 days between Thanksgiving and Christmas. This is a time when every single store in the country, from Nordstrom to 7-Eleven, feels obligated to play Christmas music. And it’s not even the good stuff. As far as I can tell, no one except little kids enjoys hearing syrupy, cutesy “Jingle Bell Rock” played ad nauseam. Last year I made an obnoxious and totally doomed pledge to not shop anywhere Christmas music was playing. I should have stocked up on groceries in October.
By Michael Henningsen
Autopsy "The Tomb Within" (Peaceville, 2010)
Old-skool in tha house! When it comes to classic grind, no one did a more Fangora-worthy job back in the day than Autopsy. There were equals, forebearers and even bands like Napalm Death, Carcass, Cannibal Corpse and Suffocation that eclipsed the California trio both technically and stylistically, but in terms of unabashed bloody gore fests, no one pulled it off time and time again with Autopsy’s sublime dedication to good old-fashioned splatter.
A Spiritual Wallop
Ravi Coltrane’s quartet ascends to improvisational heaven
By Mel Minter
The title of saxophonist Ravi Coltrane’s most recent album, Blending Times (Savoy Jazz), released in 2009, works on two levels. First, harking back to a track of the same title on his previous album, In Flux (Savoy Jazz), it refers to the simultaneous blending of time signatures in a composition. Second, it refers to two distinct time periods in both Coltrane’s personal life and the recording of Blending Times. Those periods are divided by a cataclysmic event: the death of his mother, Alice Coltrane, musician, composer and spiritual leader, on Jan. 12, 2007.
Flyer on the Wall
Taking a break from the T-shirts of marijuana-steeped college students, socialist icon Ernesto “Che” Guevara calls on New Mexico denizens to do their duty in service to rock music on Saturday, Nov. 27, at Hallenbrick Brewery (3817 Hawkins NE). The Dregz plays from 7 to 10 p.m. and the show is free. (Jessica Cassyle Carr)
Michael Henningsen phucking hates Phish
By Jessica Cassyle Carr
Michael Henningsen has played in many a band—Bad Touch Uncle, The Strawberry Zots, Young Edward. He now plays in the David Kurtz Band, and will soon reunite with the Ant Farmers for a reunion show at Low Spirits on Dec. 4. Henningsen was also the Alibi’s editor-in-chief and music editor for a million years. As of this month, he’s back writing about scary black metal in a column called Coffin Break (see the second edition in this week’s issue). Below are random selections from his music collection.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip-hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch-hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock at El Rey Theater
Def-i • hip-hop • Meganoke at Low Spirits
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