Alibi V.19 No.49 • Dec 9-15, 2010 ››
The Cat Goes to the Dark Side
Felix Peralta’s Gato Malo
“Damn right I have the blues,” proclaims singer/songwriter/guitarist Felix Peralta in a burst of enthusiasm about his new, almost solo CD, Gato Malo, Acoustic Blues for the Grave, Volume 1. The front man for Felix y Los Gatos, Peralta is better known for the consistently upbeat dance music that band pumps out. But he has another side, one he’s been more in touch with recently.
The consumerist orgy that annually masquerades as Christmas is upon us and—maddeningly awful Mariah Carey Christmas songs aside—preparing to exchange gifts can be a hassle monetarily and sentimentally. Luckily there is some consolation to the annoyance summoned by this spending spree. If you're reading this, chances are you have a few musically inclined folks on your list: Enter the vinyl record, the X-mas shopping fun-maker.
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Flyer on the Wall
This endearingly crude handmade flyer is one in a series of four announcing a performance by Alabama pop punk band (I’m hearing emo, but that’s a dirty word nowadays) Heroes For Tonight. The four-piece headlines at REVLIS (712 Central SE) on Tuesday, Dec. 14. Show starts at 6 p.m. and is opened by The Ill Motion, Emergency Ahead and Doomed to Exist. Five dollars gets you into the (not emo) show. (Jessica Cassyle Carr)
The Scrams The Scrams
· Matterhorn "Vol. 1. The World Began Without Man ... "
· Various artists World Christmas Party
The Scrams single-handedly fill a long-gaping hole in our local scene: a trashy garage rock combo with frantic hooks and sonic mayhem. “La Llorona” is a far cry from the muy triste folk song of the same name. This original forsakes the sadness of the ghostly mother forlornly searching for the children she drowned when jilted by her lover. It depicts a tortured soul consumed with vengeful fury and indelibly marks the band as New Mexico home boys. The Scrams’ rock and roll is as hot as a bowl of straight green chile with no tortilla on the side. (CA)
Matthew Ezzard is the upright-bass player for Swingin’ Meat, purveyor extraordinaire of Albuquerque-based alt.country. Let’s find out what kinds of ditties dwell in Mr. Ezzard’s music library, shall we?
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.